Cather, Willa. On Writing. Tennant, StephenEditor , Alfred A. Knopf, 1949.
96
Ellen Moers
Standard Name: Moers, Ellen
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Charlotte Brontë | Its influence is evident in numerous nineteenth-century novels, including in Britain Julia Kavanagh
's Nathalie (1850)—which may in turn have influenced Villette—as well as the later The House on the Marsh (1882) by Florence Warden |
| Literary responses | Charlotte Brontë | Most major shifts in second-wave feminist literary criticism have been marked by influential rereadings of Jane Eyre: Ellen Moers
(1976) and Elaine Showalter
(1977) in the assertion of a female literary tradition; the Marxist-Feminist Literature Collective |
| Literary responses | Willa Cather | A review by Randolph Bourne
in the USA levelled much the same criticisms as William Heinemann
in England. |
| Literary responses | Henry Handel Richardson | Harold Hannyngton Child
in the Times Literary Supplement supposed that the author was a man. He proffered the paradox that the novel was never for a moment exciting although it was continuously interesting. He... |
| Literary responses | George Sand | Ellen Moers
, in her ground-breaking Literary Women, 1976, read Consuelo as a key step in the tradition of women writers presenting heroinism through the figure of the woman artist, especially the opera singer... |
| Literary responses | Germaine de Staël | After completing this novel GS
wrote, I'd like a really big [writing] table, it seems to me I've got the right to it now. Kobak, Annette. “Mme de Staël and Fanny Burney”. The Burney Journal, pp. 12 -35. 19 |
Timeline
By April 1976
Ellen Moers
published at New York a pioneering work of literary criticism entitled Literary Women.