Edward Copeland

Standard Name: Copeland, Edward

Connections

Connections Author name Sort ascending Excerpt
Reception Catherine Gore
Charlotte Brontë wrote to CG to voice her admiration: not the echo of another mind—the pale reflection of a reflection—but the result of original observation, and faithful delineation from actual life.
Mudge, Bradford Keyes, editor. Dictionary of Literary Biography 116. Gale Research.
129
Edward Copeland finds...
Reception Catherine Gore
Mrs. Armytage; or, Female Domination was received by the Athenæum as a clever work, as everything which comes from the pen of Mrs. Gore must be.
Athenæum. J. Lection.
454 (1836): 482
The reviewer, however, criticised its depiction...
Textual Production Catherine Gore
In The Cabinet MinisterCG borrowed the foundations of a plot from Jane Austen once more, in the story of an impoverished sister and brother, Bessy and Frank Grenfell, brought up out of reluctant charity...
Intertextuality and Influence Catherine Gore
She quotes Byron on the title-page.
Gore, Catherine. Cecil; or, The Adventures of a Coxcomb. R. Bentley.
title-page
As the Edinburgh Review noticed, Cecil's launching as a coxcomb takes place in 1809, the year that Byron began writing Childe Harold, and his final moral awakening...
Reception Maria Edgeworth
Her lifetime literary earnings (which she meticulously recorded) totalled £11,062, eight shillings, and tenpence. She also recorded with relish her use of some of the money for foreign travel.
Butler, Marilyn. Maria Edgeworth: A Literary Biography. Clarendon.
492
Literary historian Edward Copeland calls...
Textual Features Emily Frederick Clark
The second volume puts her through terrible trials and associates her with prostitutes (whom, as Edward Copeland has noted, she sympathises with rather than despising).
Copeland, Edward. Women Writing about Money: Women’s Fiction in England, 1790-1820. Cambridge University Press.
18
At the end of this volume she is an...
Textual Features Mary Charlton
This time her take on women's predicaments is more original (and more feminist) than in Rosella. The novel opens with a sympathetic portrayal of a recently-widowed high society woman wondering how she can...
Textual Features Mary Charlton
This novel is remarkable for its strong, indignant, essay-like opening on the topic of male and female education: The education of a young Englishman of distinction is a matter of routine: he is sent to...
Literary responses Lady Charlotte Bury
Edward Copeland argues that this text, though designed to ride the wave of the new silver-fork novel, draws its influences from an earlier generation: Frances Burney , Susan Ferrier , and Richardson 's Sir Charles...
Literary responses Lady Charlotte Bury
Edward Copeland finds most interesting in these novellas the attention to money-earning, and the way the young people (morally so much preferable to their elders, whether aristocratic or rich bourgeois) are helped out by servants...
Literary responses Lady Charlotte Bury
Edward Copeland thinks that this is the most challenging of LCB 's novels because of the complex interrelationship, in Delamere, between aristocratic pastimes, the arts, and the Whig aristocracy. He sees the amateur theatricals as...
politics Lady Charlotte Bury
Edward Copeland remarks that her testimony in court, though damaging to her reputation in society, established her as a strong, public Whig proponent for the rest of her life.
Copeland, Edward. The Silver Fork Novel. Cambridge University Press.
184
Textual Features Amelia Beauclerc
This is sentimental and overwritten, with confusions in its time-scheme and its prose style, well below the level of other novels by AB . The heroine, Emily, is constantly fainting. (She has some cause: she...

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