The London Stage 1660-1800. Southern Illinois University Press.
4: 177
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Theme or Topic Treated in Text | Alethea Lewis | She heads her novel with a prefatory letter to the Rev. William Johnstone
, who, she says, has asked why she chooses to write fiction and not moral essays. She answers that novels offer opportunities... |
Occupation | Charlotte Lennox | |
Occupation | Charlotte Lennox | This seems to have been the first of her few and scattered stage appearances. She played at Richmond in 1748 and at the Little Theatre, Haymarket
, as Almeria, heroine of Congreve
's The Mourning... |
Education | Mary Lamb | ML
was sometimes taken to the theatre as a child, which she loved. The first play she ever saw was Congreve
's tragedy The Mourning Bride, with a Harlequin pantomime to follow. She once... |
Health | Mary Lamb | Another followed an upsetting review of Charles's Specimens in the Quarterly in February 1812, another on her completing her own On Needle-Work in December 1814-February 1815, and another, unusually, only six months later. Burton, Sarah. A Double Life: A Biography of Charles and Mary Lamb. Viking. 265-6, 276-83 |
Intertextuality and Influence | E. B. C. Jones | This is a story of the difficult or tormented love-affairs of sensitive young people trying to construct their new and modern world. (Intellectually, they seek to reach back past the nineteenth century towards the eighteenth... |
Reception | Elizabeth Inchbald | EI
's two-act farce The Hue and Cry appeared as an afterpiece to Congreve
's Love for Love in 1791, but was never performed again. The London Stage 1660-1800. Southern Illinois University Press. 5: 1350 |
Textual Features | Margaret Holford | The prologue maintains that good men are still there to be found; the epilogue says wit is extinct in the male line and survives in ladies only. The play has an old-fashioned flavour of Congreve |
Intertextuality and Influence | Barbara Hofland | The title page quotes Congreve
. The story of Charles Benfield's early life and courtship precedes his death, which leaves his widowed Maria to bring up five children, feeling abject and paralysed (characteristics which become... |
Dedications | Eliza Haywood | Spedding believes that the original numbers came out more regularly than has sometimes been assumed by commentators. Collected in volume form after two editions in these original numbers, The Female Spectator had nine editions or... |
Textual Production | Susannah Gunning | This novel was never claimed by either Minifie sister, and has always been attributed to Susannah
. Complete misascription is a distinct possibility, since while the title is so like that of the sisters' second... |
Occupation | Sarah Gardner | Sarah Cheney (later SG
) made her first appearance on the London stage, before her marriage, as Congreve
's Miss Prue in Love for Love: A Comedy at Drury Lane
. Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press. 5: 463 |
Literary responses | Frances, Lady Norton | The reception of this volume, dictated by Gethin's position as her father's only child and heir, and as an exemplary pattern of female excellence, rather than by consideration of the literary quality of her work... |
Intertextuality and Influence | Maria Edgeworth | The Double Disguise, set in an inn in England (the Pig and Castle, on the road from Ireland via Liverpool to London), features a travelling Irish family. The father (Richard Lovell Edgeworth
's... |
Textual Features | Judith Drake | Its boldness in argument—seeking to lift women to an Equallity [sic] Drake, Judith. An Essay in Defence of the Female Sex. A. Roper, E. Wilkinson, and R. Clavel, http://U of A, Special Collections. A2 |
No timeline events available.
No bibliographical results available.