Madeleine de Scudéry
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Standard Name: Scudéry, Madeleine de
Birth Name: Madeleine de Scudéry
Pseudonym: Monsieur de Scudéry
Used Form: Madeleine de Scudery
MS
is the most famous of the seventeenth-century French authors of heroic romances: fictions of great length, which centred on the lives, loves, and philosophical disquisitions of aristocratic characters. She also wrote poetry and letters.
Connections
Connections Sort descending | Author name | Excerpt |
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Intertextuality and Influence | Jane Porter | JP
's original introduction (to which she later added further memories of colourful Scots characters from her childhood in Edinburgh) mentions exhaustive consultation of historians, and makes no direct allusion to the verse romance... |
Intertextuality and Influence | Sarah Murray | This volume opens with The Plan of a School, and then, continuing a story-line from volume one, with Mrs Wheatley's demanding of Miss Le Maine how she can use rouge and plume herself on... |
Intertextuality and Influence | Aphra Behn | The volume opens with The Golden Age, conventionally depicted except for the absence of religion and of sexual coyness in women. A Voyage to the Island of Love is AB
's first translation from... |
Intertextuality and Influence | Mary Pix | Belinda (a reader of Scudéry
who has adopted a romance name) flees her home in resistance against an arranged marriage, and meets Sir Charles, a younger son who has gone through with an arranged marriage... |
Intertextuality and Influence | Julia O'Faolain | The topics covered in richly informative detail, far too many to enumerate, include a father's life-or-death rights over his offspring in ancient Greece, while such topics as buying and selling sex, or the relation... |
Intertextuality and Influence | Elizabeth Beverley | The title-page further develops the ship image of the title into a full-blown allegory, a kind of commercialised version of the voyages to an island of love depicted by Madeleine de Scudéry
, Aphra Behn |
Literary responses | Violet Trefusis | Hunt the Slipper has been received as one of VT
's strongest works. The Times Literary Supplement reviewer noted that [i]ts theme recalls those emotional Baedekers of the seventeenth century in which Mlle de Scudéry |
Literary responses | Hope Mirrlees | Julia Briggs
reads the text as a roman à clef in which Scudéry
is an unflattering portrait of Natalie Barney
(whom HM
would have encountered when herself living in Paris) while Harrison
appears as the... |
Literary Setting | Hope Mirrlees | HM
sets her narrative during a period of female learning and literary productivity in seventeenth-century France. Madeleine Toqueville, a young girl, moves with her parents from their provincial home to Paris, where Madeleine's erotic... |
Textual Features | Marie-Madeleine de Lafayette | This work is more like the Scudéry
type of romance than are MML
's better-known novels. |
Textual Features | Sophia Lee | An Advertisement claims that The Recess is a version, in modernised English, of a manuscript memoir from the reign of Elizabeth I
. It breaks new ground for the English novel in various ways: it... |
Textual Features | Charlotte Lennox | The Female Quixote a complex generic hybrid. It is a romance (Arabella is more beautiful and more intelligent than any other woman in the story; male characters can be judged by the degree and kind... |
Textual Features | Elizabeth Griffith | EG
's preface discusses the magnetic attraction of novels for the young, and the importance this gives them as a method of instruction and influence. She throws out the expected gibe against circulating libraries and... |
Textual Features | Susannah Dobson | SD
says her previous choice of subjects (Petrarch and the troubadours) was dictated by the feeling that it was well worth while to pass over a multitude of tyrants, whose lives are written in blood... |
Textual Features | Julia Kavanagh | JK
successfully blends scholarly knowledge with popular style. Her historical and critical opinions are still well worth reading. On the great length of Scudéry
's romances, she cites a contemporary reader who had reached page... |
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Texts
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