Faber and Faber

Connections

Connections Sort ascending Author name Excerpt
Textual Production Laura Riding
LR published her first volume of poetry for thirty-two years, Selected Poems: in Five Sets, with Faber and Faber , prefaced by her explanation of her present view of the untrustworthiness of poetry.
Friedmann, Elizabeth. A Mannered Grace. Persea Books.
421
Textual Production Mary Wesley
When Faber accepted the first of these books, MW 's husband Eric Siepmann wept with joy.
Wesley, Mary, and Kim Sayer. Part of the Scenery. Bantam.
17
Textual Production Djuna Barnes
Nightwood was published in New York in March 1937 by Harcourt Brace , with an introduction by Eliot praising its great achievement of a style, the beauty of phrasing, the brilliance of wit and characterization...
Textual Production Alison Uttley
Encouraged by the success of The Country Child, AU published with Faber (to whom that same success made her welcome) Moonshine and Magic, a book of stories for children.
Judd, Denis. Alison Uttley. Michael Joseph.
122
Textual Production P. D. James
In 2019 The Victim was re-issued by Faber as a stand-alone short story.
Textual Production Hope Mirrlees
HM published A Fly in Amber: Being an Extravagant Biography of the Romantic Antiquary Sir Robert Bruce Cotton. It was published through Faber and Faber , who obtained it through HM 's old friend T. S. Eliot .
Henig, Suzanne. “Queen of Lud: Hope Mirrlees”. Virginia Woolf Quarterly, Vol.
1
, No. 1, pp. 8-27.
8
Textual Production Wendy Cope
She has followed that with a collection for children, The Orchard Book of Funny Poems (illustrated by Amanda Vesey ), 1993, and with three anthologies published by Faber and Faber :The Funny Side: 101...
Textual Production Anne Ridler
Faber and Faber brought out AR 's New and Selected Poems, her first retrospective selection published in Britain.
Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk.
Contemporary Authors: New Revision Series. Gale Research.
80: 358
Textual Production Alison Uttley
AU published with Faber another volume of stories for children, Candlelight Tales, to a chorus of praise from periodicals including the Sunday Times and Country Life.
Judd, Denis. Alison Uttley. Michael Joseph.
139
Residence Djuna Barnes
At the news that Faber and Faber had agreed to publish Nightwood, DB left New York again for Europe, initially to Paris.
Herring, Phillip. Djuna: The Life and Work of Djuna Barnes. Penguin.
228-9
Reception Maggie Gee
Reviews were very good, and the Times drew attention to the novel by publishing an extended excerpt.
Gee, Maggie. “Bottom drawer”. Mslexia, Vol.
15
, p. 42.
42
It was indeed long-listed for the Booker, and Faber and Faber asked to see her next book....
Reception Seamus Heaney
These poems attracted the attention of Charles Monteith , a director of the publishing firm of Faber and Faber , who was also born in Northern Ireland. The result was the offer of a book...
Reception P. D. James
She received an impressive number of honours from various universities. She had an Honorary DLitt from the Universities of Buckingham (1992), London (1993), Hertfordshire (1994), Glasgow (1995), Durham (1998), and Portsmouth (1999). She also had...
Publishing Tillie Olsen
The stories were I Stand Here Ironing, Hey Sailor, What Ship?, O Yes, and the title story. Lippincott , who first published the volume, lost money on it. It was published in...
Publishing Alison Uttley
Invited by Richard de la Mare in February 1934 to write a successor to The Country Child, AU first planned a fictional treatment to be called High Meadows (published in 1938), then began in...

Timeline

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Texts

Eliot, T. S. The Elder Statesman. Faber and Faber, 1959.
Eliot, T. S. The Family Reunion. Faber and Faber, 1939.
Eliot, T. S. The Idea of a Christian Society. Faber and Faber.
Eliot, T. S. The Letters of T.S. Eliot. Editor Eliot, Valerie, Faber and Faber, 1988.
Eliot, T. S. The Waste Land Drafts. Editor Eliot, Valerie, Faber and Faber, 1971.
Ellmann, Richard. Yeats: The Man and the Masks. Faber and Faber, 1961.
Empson, William. The Gathering Storm. Faber and Faber, 1940.
Farjeon, Eleanor, and Clare Leighton. Perkin the Pedlar. Faber and Faber, 1932.
Figes, Eva. B. Faber and Faber, 1972.
Figes, Eva. Little Eden. Faber and Faber, 1978.
Ham, Elizabeth. “Introduction”. Elizabeth Ham, by Herself, 1783-1820, edited by Eric Gillett, Faber and Faber, 1945, pp. 5-12.
Goodman, Lizbeth, editor. Mythic Women/Real Women. Faber and Faber, 2000.
Graves, Robert von Ranke. The White Goddess. Faber and Faber, 1948.
Greer, Germaine, editor. 101 Poems by 101 Women. Faber and Faber, 2001.
Ham, Elizabeth. Elizabeth Ham, by Herself, 1783-1820. Editor Gillett, Eric, Faber and Faber, 1945.
Hughes, Ted, and Sylvia Plath. “Introduction”. Collected Poems, Faber and Faber, pp. 13-17.
Hughes, Ted. Letters of Ted Hughes. Editor Reid, Christopher, Faber and Faber, 2007.
Huxley, Elspeth. Peter Scott: Painter and Naturalist. Faber and Faber, 1993.
Huxley, Elspeth, and Margery Perham. Race and Politics in Kenya. Faber and Faber, 1944.
Iremonger, Lucille. The Ghosts of Versailles. Faber and Faber, 1957.
James, P. D. A Certain Justice. Faber and Faber, 1997.
James, P. D. A Mind to Murder. Faber and Faber, 1963.
James, P. D. A Taste for Death. Faber and Faber, 1986.
James, P. D. An Unsuitable Job for a Woman. Faber and Faber, 1972.
James, P. D. Cover Her Face. Faber and Faber, 1962.