Duffy, Maureen. “A Nightingale in Bloomsbury Square”. Factions, edited by Giles Gordon and Alex Hamilton, Michael Joseph, 1974, pp. 169-04.
169
Hampstead Theatre Club
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Performance of text | Maureen Duffy | MD
's next play, A Nightingale in Bloomsbury Square (about Virginia Woolf
), was first performed by the Hampstead Theatre Club
. The title recalls a popular song with the refrain, and a nightingale sang in Berkeley Square. “The Knitting Circle”. London South Bank University: Lesbian and Gay Staff Association. |
| Performance of text | Pam Gems | PG
's adaptation of Chekhov
's Uncle Vanya was first performed by the Hampstead Theatre Club
. Wandor, Michelene, editor. Plays by Women: Volume Three. Methuen, 1984. 49 Aston, Elaine. “Pam Gems: Body Politics and Biography”. The Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, 2000, pp. 157-73. 171 “The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive. 60473 (13 November 1979): 14 |
| Performance of text | Pamela Hansford Johnson | A joint dramatic adaptation by PHJ
and her husband
, The Public Prosecutor (written by them from Marguerite Alexieva
's translation of the Bulgarian of Georgi Dzhagarov
), was produced at Hampstead Theatre Club
. “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
| Textual Production | Michelene Wandor | Nonetheless, several of her plays have never (in 2008) been staged. One is Wild Diamonds, set in South Africa and seen through the eyes of Olive Schreiner
and Cecil Rhodes, which was commissioned... |
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