Macmillan Publishers Limited

Connections

Connections Author name Sort descending Excerpt
Publishing Christina Rossetti
Speaking Likenesses, a series of didactic tales narrated by an aunt while her five nieces sew, and dedicated to CR 's mother , appeared in 1874. CR again used Macmillan , which paid her...
Publishing Naomi Royde-Smith
With All Star Cast, a novel of experimental structure involving an inset murder-mystery play, NRS switched her publisher for fiction from Gollancz to Macmillan .
TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive.
1792 (6 June 1936): 477
Publishing Evelyn Sharp
ES published another school story, The Youngest Girl in the School, with illustrations by C. E. Brock ; it began her habit of publishing her children's books through Macmillan .
Clark, Beverly Lyon, and Evelyn Sharp. “Introduction”. The Making of a Schoolgirl, Oxford University Press, pp. 3-23.
16
Sharp, Evelyn. Unfinished Adventure. John Lane, Bodley Head.
83
Publishing Evelyn Sharp
She most probably wrote this novel after the Treaty of Versailles was signed on 28 June 1919. It was published by Allen and Unwin (where Stanley Unwin was her personal friend) only after rejection by...
Publishing Evelyn Sharp
ES had personally admired Ayrton, but she found the writing of biography, especially the scientific research, an uphill struggle. In pursuing her material she corresponded with Marie Curie , to whom she dedicated the result...
Publishing Carol Shields
During a break in her MA thesis-writing, in the early 1970s, CS experimented with a kind of a literary whodunnit. She sent it to several publishers (Oberon , Macmillan , and McClelland and Stewart
Publishing Carol Shields
She set out to portray a woman who had (and needed) good friends, to illuminate those aspects of Moodie which Moodie herself had kept hidden, and to build on her own sense of connectedness to...
Publishing Edith J. Simcox
She began work on this book as early as 1878.
McKenzie, Keith Alexander, and Gordon S. Haight. Edith Simcox and George Eliot. Oxford University Press.
75
Her wish was to create a History of Appropriation and she confided to her journal: my ambition would be satisfied by a place in...
Textual Production Edith Sitwell
ES published The Song of the Cold with Macmillan in London: three long new poems, plus several selections from three recent volumes—Gold Coast Customs, Street Songs, and Green Song.
The...
Publishing Edith Sitwell
Macmillan had published a proof copy of the title poem in a previous collection entitled Poems, 1940-47 (1949).
OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
Material Conditions of Writing Muriel Spark
MS began her career as a novelist in illness and under financial stress. In 1954, Macmillan , who were looking for promising new writers, invited her to write a novel. Although ill and unable to...
Publishing Muriel Spark
MS received £100 for it, half as an advance.
Stannard, Martin. Muriel Spark. The Biography. Weidenfeld and Nicolson.
164
She finished writing in late 1955, but then hit a snag: Macmillan developed cold feet about its being difficult. During this hiatus the proofs...
Publishing Muriel Spark
The print-run was 4,000. She had begun the novel early in 1956, and dedicated it to her mother and father.
Rees, David. Muriel Spark, William Trevor, Ian McEwan, A Bibliography of their First Editions. Colophon Press.
8
Spark, Muriel. Curriculum Vitae: Autobiography. Constable.
208
Spark, Muriel. Robinson. Penguin.
flyleaf
Macmillan accepted it on the strength of her first success. She felt...
Publishing Muriel Spark
The print-run was 6,000, half as much again as for her previous novel,
Rees, David. Muriel Spark, William Trevor, Ian McEwan, A Bibliography of their First Editions. Colophon Press.
9
and this time she galvanised Macmillan into unprecedented efforts at publicity.
Stannard, Martin. Muriel Spark. The Biography. Weidenfeld and Nicolson.
220
Publishing Muriel Spark
In the run-up to publication of this novel she changed agents, replacing David Higham (who had sold some Penguin paperback rights for what she regarded as far too little) with the younger and more energetic...

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