Smith, Ali. “Liz Lochhead: Speaking in Her Own Voice”. Liz Lochhead’s Voices, edited by Robert Crawford and Anne Varty, Edinburgh University Press, 1993, pp. 1-16.
13
Connections Sort descending | Author name | Excerpt |
---|---|---|
Reception | Liz Lochhead | Before she had published a collected volume of her verse, LL
won a BBC Radio Scotland
poetry prize for Revelation and Poem for Other Poor Fools. Smith, Ali. “Liz Lochhead: Speaking in Her Own Voice”. Liz Lochhead’s Voices, edited by Robert Crawford and Anne Varty, Edinburgh University Press, 1993, pp. 1-16. 13 Varty, Anne. “The Mirror and the Vamp: Liz Lochhead”. A History of Scottish Women’s Writing, edited by Douglas Gifford and Dorothy McMillan, Edinburgh University Press, 1997, pp. 641-58. 643-4 |
Reception | Malorie Blackman | While Blackman's publisher was seeking a US contract for Noughts and Crosses, the terrorist attacks of 7 September made a fictional Liberation Militia into an untouchable idea. The book did not appear in the... |
Reception | Mary Stewart | The novel was adapted for television in 1991 when the BBC
filmed six episodes, which were then released together on video as Merlin of the Crystal Cave. The series was directed by Michael Darlow |
Reception | Barbara Pym | |
Reception | Elspeth Huxley | She was always feisty about the amount she was paid: for her first broadcast she queried the BBC
's provision of eight guineas since she had heard that the standard fee was ten. She was... |
Reception | Sarah Waters | SW
had not expected her book to travel beyond the lesbian community, but she was in for a surprise. Sarah, and Lee. “Great LezBritain: Sarah Waters talks inspiration, adaptations at World Book Night”. AfterEllen.com, 28 Mar. 2011, pp. 1-2. |
Reception | Dylan Thomas | At another performance two weeks later (with the script this time complete), the cast took fourteen curtain calls before Thomas took the final one alone. Other American readings followed. DT
delivered the typed, completed manuscript... |
Reception | Dylan Thomas | The name of the fictional town or village of Llareggub (bugger all spelled backwards) had been in his mind for more than twenty years. He had discussed the project of a history of this... |
Reception | Liz Lochhead | The initial version of Mary and the Monster was not well received. LL
quotes the reviewer from the Birmingham Evening News as saying I'd rather be at the dentist—to which she adds, so would... |
Reception | Malorie Blackman | In 2005 MB
received the Eleanor Farjeon Award from the British Children's Book Circle
for her body of work (then extending over fifteen years). The same year she was awarded the OBE and in 2009... |
Reception | U. A. Fanthorpe | UAF
's poetry was broadcast on the BBC
's Woman's Hour and selected for Poems on the Underground. She was made a Fellow of the Royal Society of Literature
in 1987, a CBE in... |
Reception | Barbara Pym | It was well reviewed by another novelist, Lady Cynthia Asquith
. Beauman, Nicola. Cynthia Asquith. Hamish Hamilton, 1987. 325 |
Reception | Claire Luckham | Tremendously popular with audiences, the play was performed in several cities in Britain and internationally, besides being adapted for BBC
television. In Japan, audiences saw the play as a tragedy about a woman's inability... |
Reception | Enid Blyton | Derek McCulloch
of the BBC
, producer and presenter of Children's Hour, sent an internal memo to Lionel Gamlin
reiterating that no material by EB
was ever to be used. O’Hagan, Andrew. “Light Entertainment”. London Review of Books, Vol. 34 , No. 21, 8 Nov. 2012, pp. 5-8. 5 |
Reception | Barbara Pym | Initially, this novel sold fewer copies than any of BP
's previous books. Even after an excerpt was broadcast on BBC
's Woman's Hour in 1965, sales continued to be low. Wyatt-Brown, Anne M. Barbara Pym: A Critical Biography. University of Missouri Press, 1992. 103-4 |
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