Daniels, Elizabeth Adams. Jessie White Mario: Risorgimento Revolutionary. Ohio University Press, 1972.
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Connections Sort ascending | Author name | Excerpt |
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Textual Features | Julia O'Faolain | The Italian protagonist, Carla Verdi, lives in a suburb of Los Angeles with her thirteen-year-old son, while her husband is temporarily absent in Italy. The novel builds up the daily texture of her life, her... |
Textual Features | Catherine Sinclair | In Lady Mary Pierrepoint the title character is a Protestant whose virago widowed mother-in-law (Lady Pierrepont) intends to disinherit her son Sir Cosmo (Mary's husband) and leave her lands to the Roman Catholic Church
... |
Textual Features | Toni Morrison | TM
handles her narrative with her usual skill, informing her scenes and her people with life through telling detail. The story opens in the voice of Florens, who can remember being with her mother as... |
Textual Features | Jessie White Mario | Here she gives her appraisal of Catholic
and Protestant views of women's rights, as well as a general discussion of the disappointingly slight interest in Italy in sexual equality. Daniels, Elizabeth Adams. Jessie White Mario: Risorgimento Revolutionary. Ohio University Press, 1972. 164 |
Textual Features | Evelyn Waugh | The protagonist of these books, Guy Crouchback, is a middle-aged Roman Catholic, divorced from his wife, Virginia (though not in the eyes of the Church
, which therefore does not regard a sexual fling with... |
Textual Features | May Crommelin | The book is headed with romantic lines from Thomas Davies [sic]
about successive migrants and visitors to Ireland, from the brown Phoenician to the iron Lords of Normandy. Crommelin, May. Orange Lily. Ullans Press, 2017. 1 |
Textual Features | Jane Porter | Her first piece of this kind, for Friendship's Offering, 1826, was titled A Tale of Ispahan and designed to supplement an engraving of that town from a sketch by her brother Sir Robert Ker Porter |
Textual Features | Jane Barker | |
Textual Features | Marjorie Bowen | Early in the story two young men, Dirk and Thierry, decide to study the dark arts. After they put a curse on a fellow-student they are accused of witchcraft and their apparatus discovered, but they... |
Textual Features | Anna Kingsford | AK
's interpretation casts the story in religious terms, depicting the warring tribes of Gepidæ and Langobards as enemies because of their differing beliefs. While the Langobards are Christians (though AK is careful to note... |
Textual Features | Evelyn Underhill | The Lost Word draws on but warps the conventions of aestheticism. Catherine Alstone's passion for art is not inflected by practical concerns, but neither is it art for artisticness that I want . .... |
Textual Features | Georgiana Fullerton | In Mrs. Gerald's Niece Margaret, the heroine of Grantley Manor, is now Mrs Walter Sydney and is thirty-seven. The new novel engages with the Oxford Movement
, detailing the doctrinal progression of Ita and... |
Textual Features | Catharine Trotter | It records the thinking that led her to return from the Roman Catholic Church
to the Church of England
. CT
uses the first person, in a clear, confident style, hammering her opponents with rhetorical questions. |
Textual Features | C. E. Plumptre | Plumptre explains her choice of subject matter by admitting that she feels a peculiar sympathy with those humbler seekers after truth—too great to be content with the ephemeral pleasures of the hour, not great enough... |
Textual Features | Sylvia Townsend Warner |
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