Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols.
2: 115
Connections Sort descending | Author name | Excerpt |
---|---|---|
Publishing | Henrietta Rouviere Mosse | The Minerva Press
advertised HRM
's new novel, Arrivals from India, or Time's a Great Master, with her married name and mention of previous works, and with highly selective quotes from the Critical Review... |
Publishing | Barbara Hofland | |
Publishing | Anna Maria Bennett | It is dedicated to a Colonel Hunter, who is said both to have wept over Anna and to have been helpful to AMB
's daughter. The Minerva Press
printed a second edition in 1797, and... |
Publishing | Henrietta Rouviere Mosse | HRM
called herself Mrs Mosse late Henrietta Rouviere (and mentioned all of her five previous books) on the title-page of her novel A Bride and No Wife, advertised this day in four volumes with... |
Publishing | Emily Frederick Clark | She dedicated this book, which bore her name (with mention of her grandfather and her previous novel), to the Countess of Shaftesbury
(wife of the sixth earl, who was soon to become the mother of... |
Reception | Elizabeth Meeke | EM
's books sold in the USA and Canada as well as in Britain. Their readers included Mary Russell Mitford
and Thomas Babington Macaulay
. He called them absurd and his own taste for them... |
Reception | Mary Charlton | In this year a Minerva Press
catalogue mentioned MC
as one of its most popular authors. |
Textual Features | Mrs E. M. Foster | This book differs from Foster's first two novels, in that it is shorter (two volumes instead of three or four), not historical but rather a sentimental novel about courtship, and originally published by Minerva
as... |
Textual Features | Mrs E. M. Foster | Judith, the remaining MEMF
novel of 1800, is attributed to the author of Rebecca, Miriam, and Fitzmorris &c. There was German translation in 1802. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 2: 115 |
Textual Features | Charlotte Smith | The heroine is a mysterious young widow embittered by her experience of a corrupt guardian and a dissipated husband who betrayed and deserted her. The play mocks literary generic conventions, including those that were CS |
Textual Features | Mary Ann Cavendish Bradshaw | There follows a fighting critical Dissertation Respecting Patrons and Dedications, which covers the issues of male disrespect for female authors, the tyranny of critics, and over-insistence on moral instruction (with Hannah More
's Coelebs... |
Textual Features | Charlotte Riddell | The protagonist has an invalid mother. She takes disappointments and setbacks bravely, tramping round one publisher's office after another. Her eventual success brings her the happiness of her own (unshared) country cottage. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
Textual Production | Ann Hatton | |
Textual Production | Medora Gordon Byron | It was published by Minerva
in three volumes, with mention of the two previous novels published as a Modern Antique, and an &c. suggesting a larger output. The title-page bears an aphorism, Love is... |
Textual Production | Mrs Ross | MR
published with her name The Family Estate; or, Lost and Won. A Novel, with the Minerva Press
. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press, 2000, 2 vols. 2: 419 |
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