Cambridge University Press

Connections

Connections Author name Excerpt
Reception E. Owens Blackburne
In the same preface EOB promises to include some previously unpublished poems by William Wordsworth , apparently in connection with the Ladies of Llangollen. Between the publication of the two volumes, however, Wordsworth's son forbade...
Publishing Matilda Betham-Edwards
It was reissued by Cambridge University Press in 2010, online and in print-on-demand format.
Betham-Edwards, Matilda. Through Spain to the Sahara. Cambridge University Press, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Reception Samuel Beckett
SB was awarded the Nobel Prize for Literature in 1969.
Palmer, Alan, and Veronica Palmer. The Chronology of British History. Century.
429
Knowlson 's Oxford Dictionary of National Biography entry observes that he changed the entire face of post-war theatre as well as influencing painters and...
Publishing Emilie Barrington
Its illustrations include reproductions of some of the frescoes from Little Holland House.
Blunt, Wilfrid Jasper Walter. ’England’s Michelangelo’. H. Hamilton.
83
It was reissued by Cambridge University Press in 2010, online and in print-on-demand format.
Barrington, Emilie. G.F. Watts. Cambridge University Press, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Publishing Jane Barker
It is dedicated to the Countess of Exeter , with a subsidiary address to the gentry of Lincolnshire. Barker's Entertaining Novels, six years later, includes a revised version in its second volume, and Barker...
Publishing Mary Anne Barker
She was encouraged into book production by two friends in the trade who had also encouraged her journalism, Alexander Macmillan and George Grove . By 1877 this work had reached four editions besides reprints, and...
Publishing Mary Anne Barker
The book was compiled from letters which had previously appeared, vilely printed and not proof-read by the author or apparently by anyone else, in Evening Hours.
Gilderdale, Betty. The Seven Lives of Lady Barker. Canterbury University Press.
239
MAB read proof of the book as...
Textual Production Anna Letitia Barbauld
Early that year, following the death of Richardson's last surviving daughter, Richard Phillips had acquired an amazing hoard of Richardson letters. Phillips was unpleasant to work for, both bullying and suspicious, but for her editorial...
Publishing Clara Balfour
The text was reissued by Cambridge University Press in 2010, online and in print-on-demand format.
Balfour, Clara. Sketches of English Literature, from the Fourteenth to the Present Century. Cambridge University Press, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Reception Jane Austen
In 1933 there was excitement in the book-collecting world when a small collection of books that Austen had owned (by writers like Ariosto , Goldsmith , Hume , and Thomson ) appeared in the catalogue...
Publishing Lucy Aikin
Her model for this genre was Elizabeth Hamilton , but the influence of Catharine Macaulay is discerned by Karen O'Brien in Aikin's Whig positioning and in her self-confidently judgemental tone.
O’Brien, Karen. Women and Enlightenment in Eighteenth-Century Britain. Cambridge University Press.
218
This work was reissued...
Reception Grace Aguilar
The Women of Israel went into its sixth English edition by 1870 and was published, as were most of GA 's works, in many successive editions in the US. It was reissued by Cambridge University Press
Textual Production Fleur Adcock
FA 's Hugh Primas and the Archpoet, published by Cambridge University Press , is a volume of modern verse translations of two twelfth-century poets who wrote originally in Latin.
Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk.

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Texts

McDowell, Paula. “Women and the business of print”. Women and Literature in Britain, 1700-1800, edited by Vivien Jones, Cambridge University Press, 2000, pp. 135-54.
McFarlane, James, editor. The Cambridge Companion to Ibsen. Cambridge University Press, 1994.
McKenzie, Donald Francis. Bibliography and the Sociology of Texts. Cambridge University Press, 1999.
McMaster, Juliet. “Class”. The Cambridge Companion to Jane Austen, edited by Edward Copeland and Juliet McMaster, Cambridge University Press, 1997, pp. 115-30.
McMaster, Juliet. “What Daisy knew: the epistemology of the child writer”. The Child Writer from Austen to Woolf, Cambridge University Press, 2005, pp. 51-69.
McWilliams-Tullberg, Rita. Women at Cambridge. Cambridge University Press, 1998.
Meredith, Louisa Anne. My Home in Tasmania. Cambridge University Press, 2010, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Meredith, Louisa Anne. Notes and Sketches of New South Wales. Cambridge University Press, 2010, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Merkin, Ros. “The religion of socialism or a pleasant Sunday afternoon?: The ILP Arts Guild”. British Theatre between the Wars, 1918-1939, edited by Clive Barker and Maggie B. Gale, Cambridge University Press, 2000, pp. 162-89.
Middleton, Thomas. The Selected Plays of Thomas Middleton. Editor Frost, David L., Cambridge University Press, 1978.
Millard, Andre J. America on Record: A History of Recorded Sound. Cambridge University Press, 1995.
Mitford, Mary Russell. Recollections of a Literary Life; or, Books, Places and People. Cambridge University Press, 2010, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Montagu, Lady Mary Wortley. The Letters and Works of Lady Mary Wortley Montagu. Editor Thomas, W. Moy, Cambridge University Press, 2010, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Montefiore, Charlotte. A Few Words to the Jews. Cambridge University Press, 2010, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Moody, Jane. “Illusions of authorship”. Women and Playwriting in Nineteenth-Century Britain, edited by Tracy C. Davis and Ellen Donkin, Cambridge University Press, 1999, pp. 99-124.
More, Hannah. Strictures on the Modern System of Female Education. Cambridge University Press, 2010, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Morgan, Roger. The German Social Democrats and the First International, 1864-1872. Cambridge University Press, 1965.
Moscucci, Ornella. The Science of Woman: Gynaecology and Gender in England, 1800-1929. Cambridge University Press, 1990.
Moskal, Jeanne. “English National Identity in Mariana Starke’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>The Sword of Peace</span>: India, Abolition, and the Rights of Women”. Women in British Romantic Theatre: Drama, Performance, and Society, 1790-1840, edited by Catherine Burroughs, Cambridge University Press, 2000.
Murdoch, Iris. The Sovereignty of Good. Cambridge University Press, 1967.
Nadel, Ira Bruce, editor. “Chronology; Introduction”. The Cambridge Companion to Ezra Pound, Cambridge University Press, 1999, pp. xvii - xxxi; 1.
Neeson, J. M. Commoners: Common Right, Enclosure and Social Change in England, 1700-1820. Cambridge University Press, 1993.
Nicoll, Allardyce. English Drama, 1900-1930. Cambridge University Press, 1973.
Nightingale, Florence. Notes on Nursing. Cambridge University Press, 2010, http://www.cambridge.org/series/sSeries.asp?code=CLOR.
Norton, Caroline. A Letter to the Queen on Lord Chancellor Cranworth’s Marriage and Divorce Bill. Cambridge University Press, 2010, http://www.cambridge.org/series/sSeries.asp?code=CLOR.