Gaiety Theatre

Connections

Connections Sort descending Author name Excerpt
Performance of text George Paston
Annie Horniman gave this play two successful revivals in Manchester: at the Midland Hotel Theatre in October 1907, and at the Gaiety Theatre in 1908, where its proceeds guaranteed the season's financial success.
Kaplan, Joel H., and Sheila Stowell. Theatre and Fashion: Oscar Wilde to the Suffragettes. Cambridge University Press, 1994.
164
Performance of text Isabella Neil Harwood
Isabella Harwood 's last play to be produced, a revised version of the earlier Inez now titled Loyal Love, premiered at the Gaiety Theatre in London, at 8:30 p.m. This initial production ran...

Timeline

1879: Sarah Bernhardt appeared at the Gaiety Theatre.mkb:...

Building item

1879

Sarah Bernhardt appeared at the Gaiety Theatre .
Booth, Michael R. Theatre in the Victorian Age. Cambridge University Press, 1991.
chronology

16 July 1883: American singer and actress Lillian Russell...

Building item

16 July 1883

American singer and actress Lillian Russell made her London debut in Edward Solomon 's Victoria and Paul or Changing the Rings, at the Gaiety Theatre .
“Russell, Lillian”. Britannican Online: Women in American History: Articles.
“Edward Solomon”. The Guide to Light Opera and Operetta.

1886: George Edwardes took over the management...

Building item

1886

George Edwardes took over the management of the Gaiety Theatre in London.
Bailey, Peter. “’Naughty but nice’: musical comedy and the rhetoric of the girl, 1892-1914”. The Edwardian Theatre: Essays on Performance and the Stage, edited by Michael R. Booth and Joel H. Kaplan, Cambridge University Press, 1996, pp. 36-60.
38-9

1894-1896: A Gaiety Girl by Sidney Jones and Owen Hall,...

Building item

1894-1896

A Gaiety Girl by Sidney Jones and Owen Hall , the first play to be described as a musical comedy, ran at the Gaiety Theatre in London.
Bailey, Peter. “’Naughty but nice’: musical comedy and the rhetoric of the girl, 1892-1914”. The Edwardian Theatre: Essays on Performance and the Stage, edited by Michael R. Booth and Joel H. Kaplan, Cambridge University Press, 1996, pp. 36-60.
37-8

Texts

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