Royal Literary Fund

Connections

Connections Author name Sort ascending Excerpt
Occupation John Oliver Hobbes
Hobbes volunteered for a number of causes, giving talks in honour of friends, at universities, and for charitable and political causes. After her return from the USA in 1906, she gave talks at the Imperial Industries Club
Author summary Elizabeth Helme
EH began publishing in the 1780s to supplement her family's income. She issued ten novels with her name or some other means of (at least later) identification, three translations, and a number of didactic and...
Wealth and Poverty Matilda Hays
The year after Proctor's death, MH applied to the Royal Literary Fund for a pension. She cited her need, her labours on behalf of [her] own sex, and damage to her health inflicted by her...
Wealth and Poverty Ann Gomersall
After her husband's death left her without support, she managed for more than eight years with her work, and some help from friends. But at last affliction, infirmity, and age
Gomersall, Ann. Creation, A Poem. Printed for the author, and sold by Black, Young, and Young, London; J. Rowden, Newport.
prelims
rendered her destitute, and...
Textual Production Phebe Gibbes
PG chose anonymity for what seems to be her next novel, the epistolary History of Eliza Musgrove.
Some reference sources attribute this work to Mrs A. Woodfin , but PG told the Royal Literary Fund
Textual Production Phebe Gibbes
The anonymous Zoraida; or, Village Annals. A Novel appeared; though the English Short Title Catalogue and other sources ascribe it to Anne Hughes , PG later told the Royal Literary Fund she had written it.
Raven, James. “Historical Introduction: The Novel Comes of Age”. The English Novel 1770-1829, edited by Peter Garside et al., Oxford University Press, pp. 14-117.
41
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
1: 380
Textual Production Phebe Gibbes
PG reported to the Royal Literary Fund her unsubduable aspiration . . . to perfect before she dies, a work that will evince, she has not lived in vain. She had such a work on...
Author summary Phebe Gibbes
PG was an eighteenth-century novelist (of great gifts but extreme obscurity), who also wrote (from financial need) drama and periodical essays, and projected a sociological study of the lower classes. Her canon is, like most...
Literary responses Phebe Gibbes
The Critical Review praised this work as, unusually for a modern novel, unexceptionable reading for a child of either sex—an accolade which the author repeated years later to prove her worth to the Royal Literary Fund
Textual Production Phebe Gibbes
PG issued a third novel this same year, The Fruitless Repentance; or, The History of Miss Kitty Le Fever (reprinted in facsimile by Garland in 1974).
Gibbes, Phebe. “Introduction”. Hartly House, Calcutta, edited by Michael J. Franklin, Oxford University Press, p. xi - lvii.
xiv n16
She told the Royal Literary Fund that...
Publishing Phebe Gibbes
It was advertised both before and at publication. The Dublin edition, the same year, also appeared as by a Lady; PG told the Royal Literary Fund that the publisher Joseph Johnson could testify that...
Textual Production Phebe Gibbes
PG seems not to have claimed Jemima. A Novel, which was advertised by William Lane of the Minerva Press in March 1795 as by the Author of Zoraida.
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
1: 641
The near illegibility...
Textual Production Phebe Gibbes
PG told the Royal Literary Fund later that she had written a novel of this title for the credit and emolument of another hand dec[ease]d: the Mrs Phillips in question, who according to the title...
Textual Production Phebe Gibbes
PG told the Royal Literary Fund this year that she had written novels, dramatic pieces, and several little periodical works. She also offered them Two Little Dramas to publish for the Fund's own benefit.
Archives of the Royal Literary Fund, 1790-1918.
Textual Production Phebe Gibbes
This year PG asked the Royal Literary Fund for financial help to transcribe illegible manuscripts which she might then be able to sell. She slightly underestimated the forty years she had been writing. She said...

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