Smedley, Constance, and Maxwell Armfield. Crusaders. Chatto & Windus, 1912, x, 416 pp.
217
Greenleaf Theatre
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Occupation | Constance Smedley | Back in London they saw at the Little Theatre run by dancing teacher Margaret Morristhe drama of our dreams: voice and movement and picture accurately synthesized. |
| Occupation | Constance Smedley | The group attached to the Greenleaf Theatre
performed initially at a theatre in the King's Road, Chelsea. Later, in the USA from 1915 to 1922, Smedley and Armfield directed both the Greenleaf Theatre and... |
| Publishing | Constance Smedley | In July 1922 CS
published an article about the Greenleaf Theatre
ventures in The English Review. Bowe, Nicola Gordon. “Constance and Maxwell Armfield: An American Interlude 1915-1922”. The Journal of Decorative and Propaganda Arts, Vol. 14 , 1 Sept.–30 Nov. 1989, pp. 6-27. 6n5 |
| Textual Production | Constance Smedley | CS
had moved smoothly from writing one-act plays for the Cotswold Players
to writing them for the first, Chelsea, incarnation of the Greenleaf Players. She wrote a number of plays for performance by the... |
| Wealth and Poverty | Constance Smedley | During the 1930s, CS
and her husband were short of money. The Greenleaf Theatre
ended and her books no longer sold well. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Timeline
No timeline events available.
Texts
No bibliographical results available.