Abbey Theatre

Connections

Connections Author name Sort ascending Excerpt
Textual Production Augusta Gregory
AG published an historical account of the Abbey Theatre entitled Our Irish Theatre, subtitled A Chapter of Autobiography.
Smythe, Colin et al., editors. “Chronology”. Lady Gregory, Fifty Years After, Colin Smythe, pp. 1-12.
8
McDiarmid, Lucy et al. “Introduction, Notes, and Bibliography”. Selected Writings, Penguin, pp. xi - xliv, 525.
xvii
Author summary Augusta Gregory
Augusta Gregory was a highly energetic and creative force in the Irish Literary Revival, which began in the late nineteenth century. Material from her collections and translations of Irish folklore, epics, and oral poetry inspired...
Family and Intimate relationships Augusta Gregory
In 1895 Robert was awarded a scholarship to attend Harrow and study the classics. After an undistinguished career there, he went on to Oxford , where he became an amateur boxer. Later he aspired to...
Friends, Associates Augusta Gregory
Sean O'Casey submitted his first play to the Abbey in 1919, and became friendly with AG in 1924 during the successful Abbey run of his play Juno and the Paycock. He was invited to...
Textual Production Augusta Gregory
By AG 's own account, she learned to write plays by contributing bits of dialogue, when wanted
Gregory, Augusta. Our Irish Theatre. G. P. Putnam’s Sons.
80
for various Abbey playwrights, especially Yeats . Through these collaborations with Yeats—on the structures and plots of...
Textual Production Augusta Gregory
AG wrote several first-rate comedies (many of them set in the fictional Irish village of Cloon), yet she found them difficult and was often apologetic about writing them. She claimed to have created them primarily...
Publishing Michael Field
The second of these was the play which had not only appeared alone in print but had also been staged, in October 1893. A decade after that, in 1903, William Butler Yeats had turned down...
Performance of text Teresa Deevy
For the first time the Abbey Theatre in Dublin, persuaded by Lennox Robinson , put on a production of a play by TD : The Reapers in three acts. Robinson directed.
McGuire, James, and James Quinn, editors. Dictionary of Irish Biography. http://dib.cambridge.org/.
Performance of text Teresa Deevy
TD 's second play to open at the Abbey Theatre in Dublin was her one-act comedy A Disciple.
“Playwrights. Teresa Deevy”. The Playwrights Database.
McGuire, James, and James Quinn, editors. Dictionary of Irish Biography. http://dib.cambridge.org/.
Performance of text Teresa Deevy
TD 's third play in thirty months premiered at the Abbey Theatre , Dublin: Temporal Powers, called by Chris Morash her first major play.
McGuire, James, and James Quinn, editors. Dictionary of Irish Biography. http://dib.cambridge.org/.
The Teresa Deevy Archive. http://deevy.nuim.ie/.
Timeline, Introduction
Performance of text Teresa Deevy
The Abbey Theatre put on TD 's powerful new one-act play entitled The King of Spain's Daughter.
The Teresa Deevy Archive. http://deevy.nuim.ie/.
Timeline
McGuire, James, and James Quinn, editors. Dictionary of Irish Biography. http://dib.cambridge.org/.
Performance of text Teresa Deevy
TD had her great success with the play Katie Roche, which after its debut at the Abbey Theatre , Dublin, was in 1938 seen both at the Abbey's festival (alongside work by O'Casey
Textual Production Teresa Deevy
TD 's next play for the Abbey Theatre (after her hit, Katie Roche), turned from the present to the past: The Wild Goose, set in 1692 with the oppression of the Penal Laws...
Publishing Teresa Deevy
Ernest Blythe , the new managing director of the Abbey Theatre , Dublin, rejected TD 's latest play, Wife to James Whelan.
McGuire, James, and James Quinn, editors. Dictionary of Irish Biography. http://dib.cambridge.org/.
Performance of text Teresa Deevy
The only new TD play seen in connection with the Abbey , Dublin, after the rejection of Wife to James Whelan was Light Falling (already heard on radio), staged by Ria Mooney and the...

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