| Connections | Author name Sort ascending | Excerpt |
|---|---|---|
| Occupation | Augusta Gregory | With the financial support of Annie Horniman
, AG
and the Irish Literary Theatre
secured a permanent home: the Abbey Theatre
in Dublin. Murphy, James H. “Broken Glass and Batoned Crowds: <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Cathleen Ni Houlihan</span> and the Tensions of Transition”. Ireland in Transition, 1867-1921, edited by D. George Boyce and Alan O’Day, Routledge, pp. 113-27. 123 |
| Textual Production | Augusta Gregory | |
| Performance of text | Augusta Gregory | AG
's popular comedy about village gossip, Spreading the News, was performed alongside Yeats
's On Baile's Strand and their co-written Cathleen Ni Houlihan for the opening of the Abbey Theatre
in Dublin. McDiarmid, Lucy et al. “Introduction, Notes, and Bibliography”. Selected Writings, Penguin, pp. xi - xliv, 525. xvii |
| Textual Production | Augusta Gregory | |
| Performance of text | Augusta Gregory | AG
's one-act comedy about madness and sanity, The Full Moon, was first performed at the Abbey Theatre
in Dublin. Saddlemyer, Ann, and Augusta Gregory. “Foreword and History of First Productions”. The Tragedies and Tragic Comedies of Lady Gregory, Colin Smythe, p. v - xiii. xi |
| Textual Production | Augusta Gregory | |
| Performance of text | Augusta Gregory | A production of AG
's The Deliverer and Yeats
's The Hour-Glass at the Abbey Theatre
in Dublin was the first to use screens designed by Edward Gordon-Craig
. Saddlemyer, Ann, and Augusta Gregory. “Foreword and History of First Productions”. The Tragedies and Tragic Comedies of Lady Gregory, Colin Smythe, p. v - xiii. xi Innes, Christopher. Edward Gordon Craig. Cambridge University Press. 143, 221 |
| Theme or Topic Treated in Text | Augusta Gregory | |
| Performance of text | Augusta Gregory | AG
's one-act tragedy The Gaol Gate was first performed at the Abbey Theatre
in Dublin. Saddlemyer, Ann, and Augusta Gregory. “Foreword and History of First Productions”. The Tragedies and Tragic Comedies of Lady Gregory, Colin Smythe, p. v - xiii. x |
| Reception | Augusta Gregory | Bernard Shaw
saw Lady Gregory as a born playwright . . . . doomed from the cradle to write for the stage, to break through every social obstacle to get to the stage, to refuse... |
| Performance of text | Augusta Gregory | AG
's play The Rising of the Moon was produced at the Abbey Theatre
, Dublin. Saddlemyer, Ann, and Augusta Gregory. “Foreword and History of First Productions”. The Tragedies and Tragic Comedies of Lady Gregory, Colin Smythe, p. v - xiii. ix |
| Performance of text | Augusta Gregory | The Unicorn from the Stars, co-written by AG
and W. B. Yeats
, was produced at the Abbey Theatre
, Dublin. Saddlemyer, Ann, and Augusta Gregory. “Foreword and History of First Productions”. The Tragedies and Tragic Comedies of Lady Gregory, Colin Smythe, p. v - xiii. x |
| Performance of text | Augusta Gregory | AG
's The Travelling Man, a miracle play co-written with W. B. Yeats
, was first produced at the Abbey
in Dublin. Saddlemyer, Ann, and Augusta Gregory. “Foreword and History of First Productions”. The Tragedies and Tragic Comedies of Lady Gregory, Colin Smythe, p. v - xiii. xi Saddlemyer, Ann. In Defence of Lady Gregory, Playwright. Dufour Editions. 75 |
| Performance of text | Augusta Gregory | AG
's first full-length play, The Image, opened at the Abbey Theatre
in Dublin. Saddlemyer, Ann, and Augusta Gregory. “Foreword and History of First Productions”. The Tragedies and Tragic Comedies of Lady Gregory, Colin Smythe, p. v - xiii. xi |
| Performance of text | Augusta Gregory | The Abbey Theatre
, Dublin, produced AG
's The Doctor in Spite of Himself, translated from Molière
's Le médecin malgré lui, the first of her Molière translations.. Saddlemyer, Ann, and Augusta Gregory. “Foreword and History of First Productions”. The Tragedies and Tragic Comedies of Lady Gregory, Colin Smythe, p. v - xiii. x |
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