“Hot Milk Madonna film score”. Goldsmiths, University of London. Research Online.
Royal College of Art
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Occupation | Una Troubridge | By the age of sixteen, UT
had begun receiving commissions for her sculptures and had rented a studio of her own in which to exhibit her works. The money she earned from these commissions gave... |
| Performance of text | Deborah Levy | This novel grew out of Hot Milk Madonna (a short animated film which Levy co-directed with Pia Borg
at the Royal College of Art
in 2009). |
| Residence | Nina Hamnett | When, in 1910, she could no longer support herself at the London School of Art
(even though she was getting her classes for free), she returned to her parents' home at 23 Avenue Gardens in... |
| Residence | Iris Murdoch | IM
rented a small flat in London when in 1963 she became a part-time lecturer at the Royal College of Art
; she slept there two nights a week. This was succeeded by other London... |
| Textual Features | Mary Augusta Ward | The heroine is described as deriving from a long line of English gentry, Whig supporters of the Empire: a tedious race perhaps and pig-headed, tyrannical too here and there, but on the whole honourable English... |
| Textual Features | Eliza Meteyard | An article by her in the People's Journal presages her later work on Wedgwood. Art in Spitalfields: A Tale chronicles the achievements of Sarah Chapman
, who strove during the 1830s to establish education... |
| Travel | Nina Hamnett | NH
's friendship with a London School of Art
student who was probably Paula Gellibrand
(1890?-1964) brought her an invitation to spend two months in Russia over the summer. This Paula was one of a... |
Timeline
No timeline events available.
Texts
No bibliographical results available.