Brooke, Frances. “Introduction”. The Excursion, edited by Paula R. Backscheider and Hope D. Cotton, University Press of Kentucky, p. ix - xlix.
xlix
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Frances Brooke | FB
apologised to Thomas Cadell
about her delay (caused by ill-health) in completing a life of Samuel Richardson
.Cadell, Jr Brooke, Frances. “Introduction”. The Excursion, edited by Paula R. Backscheider and Hope D. Cotton, University Press of Kentucky, p. ix - xlix. xlix McMullen, Lorraine. An Odd Attempt in a Woman: The Literary Life of Frances Brooke. University of British Columbia Press. 187, 234n1 |
Textual Production | Margaret Minifie | Before the second London edition, 1771, a French translation had appeared, probably at Paris, which purported to have been published in London. English Short Title Catalogue. http://estc.bl.uk/. |
Textual Production | Charlotte Smith | CS
's Celestina: A Novel, her third to bear its heroine's name as title, was advertised by Cadell
as just published. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1: 548 Smith, Charlotte. “Introduction”. Emmeline, the Orphan of the Castle, edited by Anne Henry Ehrenpreis, Oxford University Press. xxiii Wollstonecraft, Mary. The Works of Mary Wollstonecraft. Editors Todd, Janet and Marilyn Butler, Pickering. 7: 388 |
Textual Production | Hannah More | |
Textual Production | Frances Brooke | Brooke had offered the sketch to Thomas Cadell
some weeks earlier.Cadell, Jr |
Textual Production | Hannah More | HM
published, anonymously through Cadell
, her Florio with her poem on the bluestockings, The Bas Bleu; or, Conversation, addressed to Elizabeth Vesey
. Critical Review. W. Simpkin and R. Marshall. 61 (1786): 263 Jones, Mary Gwladys. Hannah More. Cambridge University Press. 58 |
Textual Production | Charlotte Smith | Smith wrote on 17 June to request a copy from Cadell
. Smith, Charlotte. “Introduction”. The Works of Charlotte Smith, edited by Michael Garner et al., Pickering and Chatto, p. xxix - xxxvii. xxxii Smith, Charlotte. “Introduction”. The Works of Charlotte Smith, edited by Michael Garner et al., Pickering and Chatto, p. xxix - xxxvii. xxxiv |
Textual Production | Hannah More | |
Textual Production | Mary, Lady Champion de Crespigny | Mary Champion de Crespigny
published with Cadell and Davies
her Letters of Advice from a Mother to her Son (written more than twenty years earlier), dedicated to the Archbishop of Canterbury (John Moore
). OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Hannah More | HM
published through Cadell and Davies
, with her name, Strictures on the Modern System of Female Education. Critical Review. W. Simpkin and R. Marshall. 2d ser. 26 (1799): 49 |
Textual Production | Hannah More | HM
published anonymously with Cadell and Davies
her Hints Towards Forming the Character of a Young Princess. Feminist Companion Archive. Jones, Mary Gwladys. Hannah More. Cambridge University Press. 186 and n9 |
Textual Production | Charlotte Smith | This novel (published with Cadell and Davies
) was her second set during the French Revolution. She began by calling it The Exile, with the idea of making it a sequel to The Old... |
Textual Production | Elizabeth Griffith | |
Textual Production | Hannah More | Sir John Addington
took the first portion Herron, Bonnie. "An Old Ballad Monger": Hannah More’s Unpublished Letters 1798-1827. University of Alberta. 155 Herron, Bonnie. "An Old Ballad Monger": Hannah More’s Unpublished Letters 1798-1827. University of Alberta. 155 Jones, Mary Gwladys. Hannah More. Cambridge University Press. 200 |
Textual Production | Charlotte Smith | She dated her preface 19 November 1794. Further editions followed, and Rambles Farther (a sequel from the same publishers, Cadell and Davies
) appeared in August 1796, dedicated by permission to the twelve-year-old daughter of... |
No bibliographical results available.