Spedding, Patrick. A Bibliography of Eliza Haywood. Pickering and Chatto.
581-95
Connections Sort descending | Author name | Excerpt |
---|---|---|
Publishing | Anne Locke | While in exile in Geneva, AL
had worked on this rendering of modern and revolutionary material. She had only recently returned to London when her work was recorded in the Stationers' Register
. Chapter... |
Publishing | Eliza Haywood | This had five London and two Dublin editions and a German translation (which itself had six editions). Spedding, Patrick. A Bibliography of Eliza Haywood. Pickering and Chatto. 581-95 Bernard, Stephen. “Rediscovered secrets”. Times Literary Supplement, p. 25. |
Publishing | Mary Leadbeater | The volume features a frontispiece (missing from the British Library
copy). Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 2: 401 |
Publishing | Angela Carter | In mid-career AC
said she had worked mainly with women as her publishers' editors. Shared gender makes a difference in this relationship, she wrote, even if the reader has zero feminist consciousness. Carter, Angela. “Notes from the Front Line”. On Gender and Writing, edited by Michelene Wandor, Pandora Press, pp. 69-77. 72 |
Publishing | Eliza Parsons | In May, with only three weeks to go before publication and in desperate need of money, EP
was attempting to get up a subscription for Lucy. She had (as she confided to the potential... |
Publishing | Shelagh Delaney | SD
decided to submit her script to Joan Littlewood
after reading a newspaper report about a conflict between Littlewood's Theatre Workshop
and the Lord Chamberlain. Her script was accepted immediately by Theatre Workshop “Meeting Shelagh Delaney”. Times, p. 12. 12 |
Publishing | Frances Browne | Early editions are very rare. Children's book scholar and collector Peter Opie
recorded in 1965 his excitement on acquiring a probable second edition of this beloved classic, dating from 1858, to go with his probable... |
Reception | Dorothy White | A note in the British Library
copy records (with some confusion about dates) that someone nailed this to the church door at Wickhamford in Worcestershire, during the Christmas season. |
Reception | Shelagh Delaney | In her home town of Salford a |
Reception | Joan Whitrow | The poet Pope
was later intrigued by this epitaph, but neither he nor Horace Walpole's friend William Cole
could find anything out about her, though Cole was sufficiently intrigued to transcribe her entire epitaph for... |
Reception | Amy Levy | For years the British Museum
(that part which is now the British Library
) shelved its copy of this poem in the suppressed safe Ashworth, Jenn. “Amy Levy (1861 - 1888)”. Breaking Bounds. Six Newnham Lives, edited by Biddy Passmore, Newnham College, pp. 26-39. 36 |
Reception | Mary Louisa Molesworth | Mrs. Molesworth made herself a household name early in her career, and remained one for over a generation whenever books for children were discussed or memoirists recalled their early reading. On her death the obituary... |
Reception | Rose Allatini | At this hearing (the second part of the prosecution, following a meeting on 25 September), the political content of the novel was the text, and the (homo)sexual content the subtext. Counsel for the defence pointed... |
Reception | Andrea Levy | In January 2011 the Richard and Judy Book Club
listed Small Island as one of the 100 Books of the Decade. Carroll, Rachel. “<span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Small Island</span>, Small Screen: Adapting Black British Fiction”. Andrea Levy: Contemporary Critical Perspectives, edited by Jeannette Baxter and David James, Palgrave, pp. 65-77. n8 |
Reception | Anne Grant | AG
's popularly best-known poem today (though it is known without her name) must be Oh where, tell me where, is your Highland Laddie gone?. The British Library
catalogue lists under Grant's name a... |
No timeline events available.
No bibliographical results available.