Heinemann

ER published her first novel, George Mandeville's Husband, under the pseudonym C. E. Raimond , as part of Heinemann 's Pioneer series.

ER , as C. E. Raimond, published her second novel, The New Moon, in Heinemann 's Pioneer series.

ER 's sensational novel about the white slave trade, Where Are You Going To...?, was published by Heinemann in Britain.

Heinemann published ER 's memoirs, Both Sides of the Curtain, which covers her early years in London, about 1889-90.

Heinemann , the publisher of Gosse's translation, had secured the English rights to the play, thereby preventing Archer from writing his own translation. Instead, Archer persuaded ER and actress Marion Lea to get Heinemann's permission...

Robins's identity was revealed soon after publication, when a review in the Daily Chronicle mentioned that the author had acted in Ibsen's plays. Her name was added to the second printing of the book...

VSW published with Heinemann a family history, Knole and the Sackvilles.

VSW published with the Hogarth Press her first travel book, Passenger to Teheran; she broke her contract with Heinemann to do so.

The publisher of this and later editions was Heinemann . It was reprinted in fourteen impressions that year, and by 1971, 100,000 copies had been sold in Britain alone, as well as appearing in VSW

The publishers, Heinemann , gave her an advance of £150. The book was soon reprinted, but when VSW wanted another reprint after the war, when Knole was in the hands of the National Trust...

Leonard Woolf (without Virginia to consult with, but with the full support of John Lehmann ) turned down Grand Canyon. So did Heinemann , for the same reasons: the potential blow to British morale...

She worked on her first novel in secret and was advised by William Pett Ridge (P. R.) to send it to Sydney Pawling at Heinemann , but Pawling sent it back with a...

Heinemann published CADS 's second novel, The Burden.

CADS published another novel,Treasure Trove, again with Heinemann .

CADS was bitterly disappointed when both Heinemann and John Murray rejected her Elizabethan novel, Ulalia; it remained unpublished, but she always considered it one of her best works.