Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Charles Kemble
Standard Name: Kemble, Charles
Connections
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Publishing | Isabel Hill | She had submitted it for production to Charles Kemble
, but although he and W. C. Macready
both thought highly of it, he did not accept it for the theatre. |
Performance of text | Felicia Hemans | FH
's The Vespers of Palermo was produced at London's Covent Garden
theatre with Charles Kemble
in the lead role; it was published the same year. Hughes, Harriet Browne Owen, and Felicia Hemans. “Memoir of Mrs. Hemans”. The Works of Mrs. Hemans, W. Blackwood, pp. 1-315. 70 Feldman, Paula R., editor. British Women Poets of the Romantic Era. John Hopkins University Press. 277 Hemans, Felicia. The Vespers of Palermo. John Murray. |
Textual Features | Matilda Hays | Woven into the novel is considerable commentary on the art, music, and literary productions of the day. Quotations are given from or allusions made to a wide range of authors including Tennyson
, Longfellow
(used... |
Family and Intimate relationships | Ann Hatton | AH
's eldest brother, John Philip Kemble
, and her younger brother, Charles
, also achieved fame as actors. Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press. 8: 335, 302 |
Textual Production | Catherine Gore | This play was written in a bid to win a prize of £500 in a contest, sponsored by Benjamin Webster
of the Haymarket
, for the best modern comedy illustrative of British manners. Donkin, Ellen. “Mrs. Gore gives tit for tat”. Women and Playwriting in Nineteenth-Century Britain, edited by Tracy C. Davis and Ellen Donkin, Cambridge University Press, pp. 54-74. 55 |
Textual Production | Charlotte Brooke |
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