Webster, Augusta. “Parliamentary Franchise for Women Ratepayers”. Before the Vote Was Won: Arguments For and Against Women’s Suffrage, edited by Jane Lewis, Routledge, pp. 338-41.
338
Connections | Author name Sort descending | Excerpt |
---|---|---|
Intertextuality and Influence | Augusta Webster | She refers to the campaign for the vote as a side-effect of a disturbance in the relation of the sexes, of the Paradisaical, or Milton
ic, Webster, Augusta. “Parliamentary Franchise for Women Ratepayers”. Before the Vote Was Won: Arguments For and Against Women’s Suffrage, edited by Jane Lewis, Routledge, pp. 338-41. 338 |
Intertextuality and Influence | Eudora Welty | This is one of her best-known volumes of stories, in part perhaps because of its involvement with gender issues, with such topics as early sexual development, rigidly demarcated gender roles, misogyny, sexual violence, defiance of... |
Textual Production | Phillis Wheatley | The claim of the preface that PW
wrote for her own amusement, without thought of publication, and was now yielding to the persuasions of generous friends, may be taken with a grain of salt. She... |
Textual Production | Helen Maria Williams | |
Education | Harriette Wilson | While she was still in her teens, although engaged in her second paid sexual relationship, her lover Frederic Lamb
set out to get her reading Milton
, Shakespeare
, Byron
, theRambler, Virgil |
Textual Production | Elizabeth Pipe Wolferstan | The title-page bore her name and a quotation from Milton
. This book advertised her novel from nearly thirty years ago. Wolferstan, Elizabeth Pipe. “Preface”. Agatha, edited by John Goss. forthcoming |
Intertextuality and Influence | Elizabeth Pipe Wolferstan | |
Intertextuality and Influence | Mary Wollstonecraft | MW
was replying to a number of authoritative male texts about the nature of women: by Burke
(who in Reflections on the Revolution in France had glorified Marie-Antoinette
and dismissed non-queenly femininity as animal), Rousseau |
Intertextuality and Influence | Mary Julia Young | The title-page has two epigraphs. The first begins with two lines from Milton
's Il Penseroso (perhaps alluding to its musical setting by Handel
), which go on to link the nightingale with Anna... |
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