John Milton

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Standard Name: Milton, John

Connections

Connections Sort ascending Author name Excerpt
Intertextuality and Influence Michelene Wandor
It proclaims: this is the story of two people // this is the story of two peoples // and one God / your God or mine?
Wandor, Michelene. The Music of the Prophets. Arc Publications.
34
In tracing the story to before the Act...
Intertextuality and Influence Aldous Huxley
Its womanizing protagonist, Mr Hutton, considers himself the Christ of Ladies (reversing, with what he supposes to be worldly wit, the supposed nickname of Milton as the lady of Christ's).
Huxley, Aldous. Mortal Coils. Chatto and Windus.
3
His internal monologue...
Intertextuality and Influence Lucy Aikin
LA 's preface denies the absurd notion that absolute gender equality might be feasible and advises women not to attempt to become inferior men. But she asserts, there is not an endowment, or propensity, or...
Intertextuality and Influence Olaudah Equiano
The book moves into vivid narrative with OE 's abduction, his mostly tolerable experiences as a slave in Africa (constantly moving on until he reached a tribe who were morally corrupted by whites), and his...
Intertextuality and Influence Mary Ann Cavendish Bradshaw
There follows a fighting critical Dissertation Respecting Patrons and Dedications, which covers the issues of male disrespect for female authors, the tyranny of critics, and over-insistence on moral instruction (with Hannah More 's Coelebs...
Intertextuality and Influence Emily Frederick Clark
Quotations heading chapters come from Milton and other mostly modern poets, including Charlotte Smith and Mary Robinson . Other inset poems may be EFC 's own.
McLeod, Deborah. The Minerva Press. University of Alberta.
The story opens as Portuguese peasants encounter a fainting...
Intertextuality and Influence Elizabeth Hands
In Critical Fragments, on some of the English Poets (seven poets, all male), EH wittily exercises an imitation which is far from flattery. She begins with Milton , who in ponder'ous verse, moves greatly on...
Intertextuality and Influence Mary Robinson
MR 's preface quotes that of Charlotte Smith to her Elegiac Sonnets.
Robinson, Mary. “Introduction”. Mary Robinson: Selected Poems, edited by Judith Pascoe, Broadview, pp. 19-64.
45
She presents her own work as one of scholarship, explaining that by legitimate in her title she means the sonnet in...
Intertextuality and Influence Mary Astell
How, she asks, can a Man respect his Wife when he has a contemptible Opinion of her and her Sex?
Astell, Mary. The First English Feminist. Editor Hill, Bridget, St Martin’s Press.
111
She mentions the tradition of misogynist writing, and suggests that men have had exclusive...
Intertextuality and Influence Margiad Evans
Several poems in A Candle Ahead invoke ME 's teachers: Milton , Thomas Traherne , Walter de la Mare , and Thomas Hardy , the theme of whose The Well-Beloved is that of her closing...
Intertextuality and Influence Adelaide Kemble
Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of...
Intertextuality and Influence Jane Harvey
In addition to quotation from Milton , Pope , and Thomson , this book has a Sterne an flavour, with passages titled from sights (like The Theatre Royal and The Merchants's Court) alternating with...
Intertextuality and Influence Frances Jacson
Chapters are headed with a lavish array of quotations. Among the better-known authors are Ariosto (in the original), Shakespeare , Drayton , Milton , Pope (on the title-page), Young , Gray , Collins , Johnson
Intertextuality and Influence Gladys Henrietta Schütze
The title phrase opens one of the best-known poems by scholar and poet Francis William Bourdillon . GHS quotes a stanza from it, along with other, more canonical poets from Ovid through Milton and Wordsworth
Intertextuality and Influence Margaret Atwood
Jocelyn has in a distant past studied English literature and is occasionally disconcerting. Do you believe in free will?, she asks, out of the blue. Stan replies, How do you mean?
Atwood, Margaret. The Heart Goes Last. Nan A. Talese / Doubleday.
119
He replies...

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