British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo.
Connections
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Medora Gordon Byron | It was in four volumes, from the Minerva Press
, with a quotation from Francis Bacon
on the title-page, and further chapter-headings from Shakespeare
, Swift
, Prior
, Thomson
, Goldsmith
, Edward Young |
Textual Production | Agatha Christie | AC
's play The Mousetrap opened at the Ambassadors Theatre
in London: adapted from the title story in her Three Blind Mice, and Other Stories, 1948. It was still playing in 2014, as... |
Textual Production | Kate Parry Frye | KFP dreamed of success as a playwright as well as an actress at least from the year 1911. In February 1918 she was working on a play, apparently about divorce, to be entitled Broken... |
Textual Production | Charlotte Stopes | CS
collected another volume of her articles to publish as Shakespeare
's Environment. TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 672 (3 December 1914): 536 |
Textual Production | Mary Cowden Clarke | MCC
and her husband finished work on their annotated Shakespeare
; two days later they began on The Shakespeare Key. Clarke, Mary Cowden. My Long Life. Dodd, Mead. 160 |
Textual Production | Eliza Parsons | Several sources, both early nineteenth-century and late twentieth-century, attribute this novel to Mrs [Elizabeth] Meeke
, even though the publisher, place of publication, and title-page mention of previous works all firmly tie it to EP |
Textual Production | Ethel Savi | ES
published her first novel, The Reproof of Chance (whose title comes from a speech by Nestor in Shakespeare
's Troilus and Cressida). British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. Savi, Ethel. My Own Story. Hutchinson. 163 |
Textual Production | Dorothy L. Sayers | DLS
's third Harriet Vane detective novel, Gaudy Night, was published; its unusual combination of feminism and romance has made it probably her best-known book. The title is a clever double allusion. Gaudy night... |
Textual Production | Anna Steele | AS
entitled her third novel Broken Toys, and dedicated it to her brother Charles Page Wood
, with a quotation about friendship from Shakespeare
's The Merchant of Venice. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. Steele, Anna. Broken Toys. Chapman and Hall. title-page, prelims |
Textual Production | Elizabeth Jane Howard | EJH
collaborated with Robert Aickman
on We Are for the Dark: Six Ghost Stories, titled from the words of Charmian, handmaid to Shakespeare
's Cleopatra. Howard, Elizabeth Jane. Slipstream. Macmillan. 213 “Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC. |
Textual Production | Ngaio Marsh | NM
's mother
played the witch, and her grandfather Edward William Seager
made a present to her of two theatrical treasures: a book entitled Actors of the [Nineteenth] Century by Frederic White
and a shirt... |
Textual Production | Charlotte Stopes | CS
published Shakespeare
's Industry. |
Textual Production | Carol Ann Duffy | In a volume of poetic responses to Shakespeare
, marking four hundred years since his death, CAD
offered a thoughtful, downbeat response to the well-loved sonnet 116, Let me not to the marriage of true... |
Textual Production | Q. D. Leavis | In this work the Leavises argue (radically modifying the view stated in The Great Tradition) that Dickens was an inheritor of Shakespeare
and Blake
, and a major influence on the formation of the... |
Textual Production | W. H. Auden | The title comes from a Shakespeare
an sonnet where the speaker says his nature is subdued/ To what it works in, like the dyer's hand. In his foreword WHA
expresses resigned regret that poets make... |
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