Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Hélène Cixous | Reading myths, she finds, she has equal difficulty inhabiting characters of hyper-masculine men and of oppressed women: she wants instead to read about women who love themselves, who are alive, who are not debased, overshadowed... |
| Intertextuality and Influence | Zadie Smith | The book's epigraph from Shakespeare
's The Tempest (What's past is prologue) qtd. in Smith, Zadie. White Teeth. Penguin, 2001. prelims Smith, Zadie. White Teeth. Penguin, 2001. 83 |
| Intertextuality and Influence | Ngaio Marsh | The theatre where the action unfolds is the Dolphin, from Marsh's novel of 1966. The personages include a range of life-larger actors including a mysterious young New Zealander of Maori blood and the looming, awful... |
| Intertextuality and Influence | Anna Maria Porter | The new Juvenilia Press
edition, like the original first volume, contains five stories: Sir Alfred; or, The Baleful Tower, The Daughters of Glandour, The Noble Courtezan, The Children of Fauconbridge, and... |
| Intertextuality and Influence | Elizabeth Hamilton | |
| Intertextuality and Influence | Elizabeth Meeke | Jane, a widow whose only child is dead, decides to marry again, and picks the young Marquess of Montrath, heir to an earldom, whom she has first seen as a fellow visitor to the spunging-house... |
| Intertextuality and Influence | U. A. Fanthorpe | The hospital poems in this volume present experiences of fear, pain, and alienation, with tirelessly exact observation and tireless compassion. The artist (that is, a typist concerned about the quality of her work) who speaks... |
| Intertextuality and Influence | Elizabeth Strutt | The title-page quotes Shakespeare
: later on Pope
, Thomson
, Thomas Tickell
, Charles Cotton
, and others are quoted too. Characters include a seducer and promiser-breaker who dies in a duel. The central... |
| Intertextuality and Influence | Mrs F. C. Patrick | MFCP
's title-page quotes Shakespeare
. Her novel is a first-person narrative by Augusta O'Flaherty, the child of a mixed marriage between an Irish squire of ancient Catholic stock and the violently anti-Irish daughter of... |
| Intertextuality and Influence | Maria Jane Jewsbury | The book's first and longest piece, The History of an Enthusiast, is strongly influenced by Germaine de Staël
's novel Corinne; ou, L'Italie. Fryckstedt, Monica Correa. “The Hidden Rill: The Life and Career of Maria Jane Jewsbury, II”. Bulletin of the John Rylands University Library of Manchester, Vol. 67 , No. 1, The Library, 1 Sept.–30 Nov. 1984, pp. 450-73. 451 |
| Intertextuality and Influence | Angela Carter | The action in the novel takes place over one day, in which the two elderly actresses Dora and Nora Chance (who are twin sisters) are celebrating their seventy-fifth birthday. They share their birthdate with their... |
| Intertextuality and Influence | Sarah Fielding | The Cry concerns itself with burning issues for women, particularly those of intellectual conformity and of vulnerability to slander. Its authors show off their huge reading both ancient and modern, and coin new words with... |
| Intertextuality and Influence | Emma Robinson | Finding hisprogress in a noble art Athenæum. J. Lection. 858 (1844): 311 |
| Intertextuality and Influence | John Oliver Hobbes | Pearl Richards (later JOH
) read widely as a child and adolescent, and her parents' liberal views (and considerable fortune) meant that she could pursue her tastes in both the lending libraries and the less... |
| Intertextuality and Influence | Charlotte Nooth | CN
refers to several canonical English names (Pope
, Reynolds
, Garrick
, Shakespeare
, and Edmund Kean
in her first poem), and relates closely to continental women. She praises Germaine de Staël
for... |
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