Betham-Edwards, Matilda. Reminiscences. G. Redway, p. vi, 354 pp.
131
Connections | Author name Sort descending | Excerpt |
---|---|---|
Intertextuality and Influence | Ketaki Kushari Dyson | KKD
's concern about the treatment of women is further exemplified in her poem on the fetishization of Sylvia Plath
's suicide, Myths and Monsters. Dyson suggests that Plath's martyrdom occurred out of a... |
Theme or Topic Treated in Text | Ketaki Kushari Dyson | The contents of this volume span the years 1959-1968. While most consist of literary criticism, some explore social and cultural issues. The volume begins with essays on Rabindranath Tagore
and Shakespeare
, and a review... |
Education | Emily Eden | She was educated at home by her mother, a tutor, and governesses. Under her mother's instruction, she read Boswell's Life of Johnson, the Mémoires du Cardinal de Retz, Shakespeare
, and knew a... |
Leisure and Society | Amelia B. Edwards | She was a regular member of the audience at Shakespeare
performances at Sadler's Wells Theatre
. Betham-Edwards, Matilda. Reminiscences. G. Redway, p. vi, 354 pp. 131 |
Education | George Eliot | Her devotion to John Bunyan
's Pilgrim's Progress remained unchanged during this period. She also read heavyweight works of theology, Hannah More
's letters, and a life of William Wilberforce
. By late 1838, however... |
Theme or Topic Treated in Text | T. S. Eliot | His introduction defines the critic's business as to see literature steadily and to see it whole. This, he argues, involves preserving tradition Eliot, T. S. The Sacred Wood. Methuen; Barnes and Noble. xv |
Textual Features | Elizabeth Cary, Viscountess Falkland | The play is a Senecan tragedy, written for the closet, not the public stage, though it is worth remembering that upper-class circles reading or performing such plays were connoisseurs of the highly dramatised masque... |
Intertextuality and Influence | Sarah Stickney Ellis | In her preface to the poem she outlines theories of poetry, taking much the same approach towards it that she had towards fiction: that verse, like prose, would benefit from attention to simple, everyday life... |
Intertextuality and Influence | Buchi Emecheta | During her schooldays literature was her greatest escape. Emecheta, Buchi. Head Above Water. Heinemann. 19 |
Textual Production | Margiad Evans | ME
's journals, kept from her youth onwards, often served to write what I want to get rid of. Lloyd-Morgan, Ceridwen. Margiad Evans. Seren. 54 |
Intertextuality and Influence | Bernardine Evaristo | BE
substitutes another name for the surname she shares with her father, but gives her mother's birth name as in life. Her narrator is not Bernardine but Lara, short for Owolara, which means the family... |
Textual Features | Bernardine Evaristo | An odd couple on holiday from England (Stanley Williams, his Jamaican immigrant parents' my-son-the-banker, and Jessie O'Donnell, a singer, a foundling raised by nuns in Leeds) drive haphazardly across Europe towards the Middle East... |
Intertextuality and Influence | Catherine Fanshawe | CF
assumes an attitude of outraged dignity: can his antiquarian eyes / My Anglo-Saxon C despise? Fanshawe, Catherine. Memorials of Miss Catherine Maria Fanshawe. Editor Harness, William, Privately printed by Vacher and Sons. 1 |
Textual Production | Catherine Fanshawe | She also left large watercolour drawings illustrating the Seven Ages of Man in Shakespeare
's As You Like It, and sketchbooks, many of them filled with Italian scenes. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Intertextuality and Influence | U. A. Fanthorpe | The title poem explains the implications of the title: I was set here / To watch. So I do, / And report, in cipher, to headquarters, / Which is an hypothesis. Wainwright, Eddie. Taking Stock, A First Study of the Poetry of U.A. Fanthorpe. Peterloo Poets. 28 |
No timeline events available.
No bibliographical results available.