Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Intertextuality and Influence | Elizabeth B. Lester | |
| Intertextuality and Influence | Elizabeth Baker | The play's impulsive young protagonist, Dorothy Archibald, opposes her parents' wishes by falling in love with a bank clerk who plays the violin. Critic Rudolf Weiss
has noted that the play is full of echoes... |
| Intertextuality and Influence | Sarah Harriet Burney | These letters show her to be a rewarding, informal, up-to-the-minute literary critic. She kept remarkably up to date on the topic of women's writing, showing herself consistently receptive to new styles and new ideas. She... |
| Intertextuality and Influence | Elaine Feinstein | Subjects of poems here include Dickens
, Thomas
and |
| Intertextuality and Influence | Mary Webb | As a child Mary Meredith (later MW
) wrote stories for her younger brothers and sisters. She first had her writing published after the family moved to Stanton-on-Hine Heath, in the parish magazine. Davies, Linda. Mary Webb Country. Palmers Press, 1990. 4 |
| Intertextuality and Influence | Mrs Ross | The title-page quotes Shakespeare
. The story has no chapter divisions, though it is often broken by flashback or by letters. While melodramatic, it is unconventional in its avoidance of the standard courtship plot, happy... |
| Intertextuality and Influence | Julia Pardoe | JP
divides the experiences of life into three stages: anticipation—reality—and reminiscence; and it is more difficult than it at first appears to be, to decide on the comparative extent and value of each. Hope is... |
| Intertextuality and Influence | Mrs E. M. Foster | As an epistolary novel, Concealment lacks the characteristic metanarrative of other MEMF
novels, though an interesting prologue addressed to the reader from the Authoress cautions against the practice of concealment. Foster also identifies herself, in... |
| Intertextuality and Influence | Anne Thackeray Ritchie | The novel opens with an epigraph from a Shakespeare
sonnet. Shankman, Lillian F., and Anne Thackeray Ritchie. “Biographical Commentary and Notes”. Anne Thackeray Ritchie: Journals and Letters, edited by Abigail Burnham Bloom et al., Ohio State University Press, 1994, p. various pages. 215 |
| Intertextuality and Influence | Barbara Hofland | The title-page (like several earlier ones of BH
) quotes Shakespeare
. The novel opens in 1726, with Catherine the first
holding court in Russia after Peter the Great
's death. She had come to... |
| Intertextuality and Influence | Adelaide Kemble | Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of... |
| Intertextuality and Influence | Rose Tremain | Her dedicatee was a bookstore owner in Nashville, Tennessee, where he involved himself in the Civil Rights movement in 1960. (His son Richard
is known as a writer). RT
uses three epigraphs: from St John of the Cross |
| Intertextuality and Influence | Ali Smith | As each book in this series relates to one of Shakespeare
's plays, this one relates to Pericles, and the artist that it relates to is |
| Intertextuality and Influence | Sarah Green | |
| Intertextuality and Influence | Mrs Martin | Indeed, as in MM
's previous novels, the narrative technique contributes largely to the reader's enjoyment. The narrator addresses the reader as dear Madam, then (without modifying this address) invites her to call the narrator... |
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