William Shakespeare

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Standard Name: Shakespeare, William

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Elizabeth B. Lester
Its title-page quotes from Akenside , but the tutelary genius of the novel is Shakespeare , several of whose plays have left their mark on it. The story opens (recalling two of Mrs Ross 's...
Intertextuality and Influence Elizabeth Baker
The play's impulsive young protagonist, Dorothy Archibald, opposes her parents' wishes by falling in love with a bank clerk who plays the violin. Critic Rudolf Weiss has noted that the play is full of echoes...
Intertextuality and Influence Sarah Harriet Burney
These letters show her to be a rewarding, informal, up-to-the-minute literary critic. She kept remarkably up to date on the topic of women's writing, showing herself consistently receptive to new styles and new ideas. She...
Intertextuality and Influence Elaine Feinstein
Subjects of poems here include Dickens , Thomas and Jane Carlyle, Siegfried Sassoon , Anna Akhmatova , Bella Akhmadulina , Billie Holliday , and Raymond Chandler . In Betrayal, a reply to Shakespeare
Intertextuality and Influence Mary Webb
As a child Mary Meredith (later MW ) wrote stories for her younger brothers and sisters. She first had her writing published after the family moved to Stanton-on-Hine Heath, in the parish magazine.
Davies, Linda. Mary Webb Country. Palmers Press, 1990.
4
Intertextuality and Influence Mrs Ross
The title-page quotes Shakespeare . The story has no chapter divisions, though it is often broken by flashback or by letters. While melodramatic, it is unconventional in its avoidance of the standard courtship plot, happy...
Intertextuality and Influence Julia Pardoe
JP divides the experiences of life into three stages: anticipation—reality—and reminiscence; and it is more difficult than it at first appears to be, to decide on the comparative extent and value of each. Hope is...
Intertextuality and Influence Mrs E. M. Foster
As an epistolary novel, Concealment lacks the characteristic metanarrative of other MEMF novels, though an interesting prologue addressed to the reader from the Authoress cautions against the practice of concealment. Foster also identifies herself, in...
Intertextuality and Influence Anne Thackeray Ritchie
The novel opens with an epigraph from a Shakespeare sonnet.
Shankman, Lillian F., and Anne Thackeray Ritchie. “Biographical Commentary and Notes”. Anne Thackeray Ritchie: Journals and Letters, edited by Abigail Burnham Bloom et al., Ohio State University Press, 1994, p. various pages.
215
Intertextuality and Influence Barbara Hofland
The title-page (like several earlier ones of BH ) quotes Shakespeare . The novel opens in 1726, with Catherine the first holding court in Russia after Peter the Great 's death. She had come to...
Intertextuality and Influence Adelaide Kemble
Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of...
Intertextuality and Influence Rose Tremain
Her dedicatee was a bookstore owner in Nashville, Tennessee, where he involved himself in the Civil Rights movement in 1960. (His son Richard is known as a writer). RT uses three epigraphs: from St John of the Cross
Intertextuality and Influence Ali Smith
As each book in this series relates to one of Shakespeare 's plays, this one relates to Pericles, and the artist that it relates to is Tacita Dean, who is famous for her...
Intertextuality and Influence Sarah Green
Under a perfunctory pretence of writing about the monarchs Henry VI and Edward IV , with dignifying chapter-headings from Shakespeare , Milton , Thomson , Prior , Gray , Pope , and the poems of...
Intertextuality and Influence Mrs Martin
Indeed, as in MM 's previous novels, the narrative technique contributes largely to the reader's enjoyment. The narrator addresses the reader as dear Madam, then (without modifying this address) invites her to call the narrator...

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