Connections
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Features | Kathleen Nott | Here KN
writes a lively style, with ingenious images and examples, paradoxes like giving a name a bad dog (by which she means taking a concept like Liberalism or Science and using it pejoratively), Nott, Kathleen. The Emperor’s Clothes. Heinemann, 1953. 43 |
Textual Features | Charlotte Grace O'Brien | Severo, brother of the heroine, Lellia, has a pathological distrust of women which is rather lamely explained by his having loved a faithless, wicked woman who then drowned herself. Despite his excesses, Lellia succeeds in... |
Textual Features | Mary Lamb | The canonical name of Shakespeare
was sufficient warrant to offer children stories which did not reliably reward virtue and punish vice, or make clear what action ought to be taken in response to events on... |
Textual Features | Bernardine Evaristo | An odd couple on holiday from England (Stanley Williams, his Jamaican immigrant parents' my-son-the-banker, and Jessie O'Donnell, a singer, a foundling raised by nuns in Leeds) drive haphazardly across Europe towards the Middle East... |
Textual Features | Mary Lamb | Mary addressed herself particularly to female readers, because she knew that access to Shakespeare
in the original was likely to be harder for girls than for boys. Sarah Burton argues that she had a hidden... |
Textual Features | Virginia Woolf | The book's contents consisted largely of already published journalism, carefully revised for the collection. McNeillie, Andrew, and Virginia Woolf. “Introduction”. The Common Reader, Annotated Edition, Harcourt Brace Jovanovich, 1984, p. ix - xv. x |
Textual Features | Jane Austen | The plot of this novel is a version of a romance archetype: poor but deserving girl confounds all expectations by marrying up. Elizabeth Bennet is the quintessence of the witty and resourceful heroine who had... |
Textual Features | Elizabeth Cary Viscountess Falkland | The play is a Senecan tragedy, written for the closet, not the public stage, though it is worth remembering that upper-class circles reading or performing such plays were connoisseurs of the highly dramatised masque... |
Residence | Marie Corelli | In Stratford, MC
became known as an eccentric. Her forceful character and her self-proclaimed guardianship of Shakespeare
's memory and birthplace offended many townspeople. Mitchell, Sally, editor. Victorian Britain: An Encyclopedia. Garland Press, 1988. |
Residence | Susan Hill | |
Reception | Molly Keane | When she wrote this book, MKthought it was pure Shakespeare
. Well, not Shakespeare exactly—more Dornford Yates
. qtd. in Chamberlain, Mary, editor. Writing Lives: Conversations Between Women Writers. Virago Press, 1988. 122 Yates wrote popular, jokey novels about a charismatic but self-regarding and jingoistic set of comfortably-off... |
Reception | Flora Thompson | In further Ladies Companion competitions the same year, FT
went on to win joint second prize for her essay on Emily Brontë
(which, again, the magazine printed) and another first prize for her essay on... |
Reception | Jane Austen | Austen's status in the English-speaking world is not so far equalled among, for instance, French speakers. Valérie Cossy
noted in March 2006 that (largely on account of inaccurate and inadequate translations) [v]ery few people in... |
Reception | Marie Corelli | MC
took her own work extremely seriously, seeing herself as the Shakespeare
of her age and genre. Anderson, Rachel, and Sheila Kaye-Smith. “Introduction”. Joanna Godden, Dial, 1984, p. xi - xviii. xiv |
Reception | Sarah Lewis | Sappho was well-received, though perhaps not quite to the extent SL
imagined. She wrote to a friend in 1877, The British press has placed me on a plane with Shakespeare
—the highest position accorded to... |
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