Brooke, Frances. “Introduction”. The Excursion, edited by Paula R. Backscheider and Hope D. Cotton, University Press of Kentucky, p. ix - xlix.
xiv
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Features | Ngaio Marsh | This novel is set during the opening production at The Dolphin, a recently derelict and now lovingly restored Victorian theatre beside the Thames in London. The central character, Peregrine or Perry Jay, is a... |
Textual Features | Constance Smedley | This first dialogue concerned the Baconian controversy. CS
's father was given to harping on his belief that Sir Francis Bacon
wrote the works of Shakespeare
. This is the position taken by Smedley's Victorian... |
Textual Features | Frances Brooke | The periodical's theatre reports, provided by a little court of female criticism Brooke, Frances. “Introduction”. The Excursion, edited by Paula R. Backscheider and Hope D. Cotton, University Press of Kentucky, p. ix - xlix. xiv Brooke, Frances. “Introduction”. The Excursion, edited by Paula R. Backscheider and Hope D. Cotton, University Press of Kentucky, p. ix - xlix. xiv |
Textual Features | Anne Manning | This book makes some pretence of being an early text, though the way that Nicholas Moldwarp is named and introduced suggests the superior eye of posterity. Manning once again imitates not only early spelling, but... |
Textual Features | Anne Dowriche | Randall Martin notes how Dowriche's use of Gentillet/Patrick brings her work into the anti-Machiavel tradition. Her Machiavel is a female one: Catherine de Medici
(which was not unusual). Her Catherine speaks in gendered terms when... |
Textual Features | Frances Arabella Rowden | An advertisement (dated at Iver in Buckinghamshire on 3 September 1820) Rowden, Frances Arabella. A Biographical Sketch of the Most Distinguished Writers of Ancient and Modern Times. 1829, iv |
Textual Features | Frances Brooke | This was one of the earliest novels of sensibility, and was probably influenced by Frances Sheridan
's Sidney Bidulph. Its sentimental content, however, co-exists both with comment on politics and with a coherent plot... |
Residence | Susan Hill | |
Residence | Marie Corelli | In Stratford, MC
became known as an eccentric. Her forceful character and her self-proclaimed guardianship of Shakespeare
's memory and birthplace offended many townspeople. Mitchell, Sally, editor. Victorian Britain: An Encyclopedia. Garland Press. |
Reception | Molly Keane | When she wrote this book, MKthought it was pure Shakespeare
. Well, not Shakespeare exactly—more Dornford Yates
. Chamberlain, Mary, editor. Writing Lives: Conversations Between Women Writers. Virago Press. 122 Yates wrote popular, jokey novels about a charismatic but self-regarding and jingoistic set of comfortably-off... |
Reception | Flora Thompson | In further Ladies Companion competitions the same year, FT
went on to win joint second prize for her essay on Emily Brontë
(which, again, the magazine printed) and another first prize for her essay on... |
Reception | Jane Austen | Austen's status in the English-speaking world is not so far equalled among, for instance, French speakers. Valérie Cossy
noted in March 2006 that (largely on account of inaccurate and inadequate translations) [v]ery few people in... |
Reception | Sarah Lewis | Sappho was well-received, though perhaps not quite to the extent SL
imagined. She wrote to a friend in 1877, The British press has placed me on a plane with Shakespeare
—the highest position accorded to... |
Reception | Marie Corelli | MC
took her own work extremely seriously, seeing herself as the Shakespeare
of her age and genre. Anderson, Rachel, and Sheila Kaye-Smith. “Introduction”. Joanna Godden, Dial, p. xi - xviii. xiv |
Publishing | Pamela Frankau | PF
's agent rejected the first novel she finished after Marriage of Harlequin, which dealt with a playwright she had imagined herself in love with, and which she called (again from Shakespeare
's Hamlet... |
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