Maria Edgeworth

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Standard Name: Edgeworth, Maria
Birth Name: Maria Edgeworth
Pseudonym: M. E.
Pseudonym: M. R. I. A.
ME wrote, during the late eighteenth century and especially the early nineteenth century, long and short fiction for adults and children, as well as works about the theory and practice of pedagogy. Her reputation as an Irish writer, and as the inventor of the regional novel, has never waned; it was long before she became outmoded as a children's writer; her interest as a feminist writer is finally being explored.
Watercolour portrait of youthful-looking Maria Edgeworth by John Downman, 1807. She sits on a straight-backed chair, wearing a lacy cap with a blue bow, and a blue, empire-style dress over white, high-necked, gauzy linen.

Connections

Connections Author name Excerpt
Textual Features Iza Duffus Hardy
Fitzallan first mesmerises Eileen Dundas in a harmless, social situation, but eventually puts her in a trance and has her kill Geoffrey Carresford, whom she loves and is expected to marry, and who has penetrated...
Textual Production Mary Hays
It was published by Simpkin and Marshall , dedicated to Eliza Fenwick in these words: While the Atlantic rolls between us, allow me, dear friend, to gratify my feelings, by addressing to you this little...
Textual Production Seamus Heaney
During the 1980s and early 1990s SH wrote a number of plays (and also pamphlets) for the theatre company Field Day . In 1992 he had a hand in The Field Day Anthology of Irish...
Textual Features Elizabeth Hervey
It is variously and descriptively set in Wales (where it opens near the mountains of Snowdon and Penmaenmawr), Ireland, and South Carolina, where Ned's adventures begin with landing at Charlestown (or Charleston)...
Literary responses Barbara Hofland
In the early 1820s BH seems to have been at the apex of her career. She was appreciated not only by her friend Mary Russell Mitford (who believed that nobody else could combine so much...
Friends, Associates Barbara Hofland
BH retained at least one life-long friendship from her Sheffield or Attercliffe days: with the poet and novelist Sarah Pearson , who had been her neighbour there. Pearson's will charged Hofland with the task of...
Publishing Barbara Hofland
BH asked her publisher, John Harris , ten pounds for this book, which was, she said, doing a bold thing.
Butts, Dennis. Mistress of our Tears, A Literary and Bibliographical Study of Barbara Hofland. Scolar Press.
39
A new, cheap edition in 1816 (wrongly taken by the original Dictionary of...
Literary responses Barbara Hofland
BH said she had the specific approbation of Maria and Richard Lovell Edgeworth for another book set in the lower ranks of society, The Blind Farmer and his Children.
Textual Features Barbara Hofland
The title-page quotes James Thomson , and the preface acknowledges the influence of Maria Edgeworth 's The Modern Griselda, 1805.
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
2: 366
Intertextuality and Influence Barbara Hofland
This novel handles remarkably the stock motif of the foundling, and the more unusual theme of an abusive marriage. (In a note at the end, BH says that each of these is based on a...
Literary responses Fanny Holcroft
The Critical gave this novel a detailed notice starting from the proposition that FH had not had critical justice because of unfair comparisons with her eminent father. It praised the contrast in personality between the...
Friends, Associates Leigh Hunt
While serving his sentence in the Surrey Gaol in Horsemonger Lane (missing his family and ill with lung disease caused by confinement), LH received as visitors Maria Edgeworth , William Hazlitt , Jeremy Bentham ,...
Publishing Catherine Hutton
CH wrote to the publisher Baldwin that Longman's had invited her to contribute to a female paper bearing the names of Barbauld , Inchbald , Edgeworth , and Hamilton .
Hutton, Catherine. Reminiscences of a Gentlewoman of the Last Century. Editor Beale, Catherine Hutton, Cornish Brothers.
159
Occupation Catherine Hutton
As well as collecting illustrations of costume, CH was an early collector of autographs. (She began both these collections at a young age, but presumably had to start again from scratch after her losses in...
Intertextuality and Influence Catherine Hutton
Jane Oakwood says (presumably standing in for her author, as she often does) that in youth she was accused of imitating Juliet, Lady Catesby (Frances Brooke 's translation from Marie-Jeanne Riccoboni ).
Hutton, Catherine. Oakwood Hall. Longman, Hurst, Rees, Orme, and Brown.
3: 95

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