Bradshaw, Mary Ann Cavendish. Memoirs of Maria, Countess d’Alva. William Miller.
1: title-page
Mary, Queen of Scots
Standard Name: Mary,, Queen of Scots
Used Form: Mary of Scotland
Used Form: Mary Stuart
Used Form: Mary Stuart, Queen of Scots
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Textual Features | Mary Hays | Though occasionally sketchy (it gives Elizabeth Elstob
, for instance, four lines), this is a work of real research, from a consistently feminist point of view. MH
investigates the question of women in power with... |
| Textual Features | Mary Ann Cavendish Bradshaw | Each title-page proclaims: If the cap fits, wear it—perhaps acknowledging the à clef element of the story. |
| Textual Features | Mary Ann Cavendish Bradshaw | Having had the heart-rending misery to deplore the death of my dear children, the countess now longs to die too, Bradshaw, Mary Ann Cavendish. Memoirs of Maria, Countess d’Alva. William Miller. 1: 56 |
| Textual Features | Frances Brooke | Brooke's advertisement to volume 3 says she gave up her plan for an essay on the writing of history, and settled instead on using notes to demonstrate how this work is, as all history ought... |
| Textual Features | Mary Wollstonecraft | Though only about twenty percent of its extracts are written by women (the same proportion as from the Bible), McCarthy, William. Anna Letitia Barbauld, Voice of the Enlightenment. The Johns Hopkins University Press. 501 |
| Textual Production | Michael Field | The Tragic Mary, MF
's historical drama based on the life of Mary Stuart
or Mary Queen of Scots, was published. Field, Michael. The Tragic Mary. G. Bell and Sons. viii Ehnenn, Jill. “Looking Strategically: Feminist and Queer Aesthetics in Michael Field’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Sight and Song</span>”;. Victorian Poetry, Vol. 42 , No. 3, pp. 213-59. 238 |
| Textual Production | Jean Plaidy | JP
returned to Mary, Queen of Scots
with a pair of historical novels of which the chronologically later story, The Captive Queen of Scots, appeared first. “Bowker’s Global Books in Print”. globalbooksinprint.com. Tóibín, Colm. “I Was Mary Queen of Scots”. London Review of Books, pp. 3-6. 3 |
| Textual Production | Antonia Fraser | In Mary
, Queen of ScotsAF
produced a biography based on sound historical scholarship and resolutely sceptical about Mary's romantic appeal, but popular in its empathy and its strong narrative drive. Whitaker’s Books in Print. J. Whitaker and Sons. (1988) “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 276 |
| Textual Production | Melesina Trench | Melesina St George (later MT
) issued as a Lady, through John Stockdale
, her earliest known published work, Mary, Queen of Scots
, an Historical Ballad, With Other Poems. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
| Textual Production | Antonia Fraser | AF
divides her composition of historical books into three stages: first the research, then setting her notes aside and writing straight through, then editing and correcting according to the notes. Wroe, Nicholas. “The history woman”. The Guardian, pp. 16-19. 18 |
| Textual Production | Alison Uttley | AU
published her successful A Traveller in Time, a historical novel for children which she based on the Babington plot to rescue Mary Queen of Scots
from imprisonment and put her on the throne... |
| Textual Production | Antonia Fraser | Cromwell was like her first historical subject, Mary, Queen of Scots
, in having been arguably demonised both in the public mind and in much historical writing; he was unlike Mary in suffering from a... |
| Textual Production | Mary Russell Mitford | MRM
told a friend that she expected immortality not from any unaided work but from her Mary Queen of Scots
' Farewell to France, based on a poem written in French by the queen... |
| Textual Production | Mary Anne Schimmelpenninck | MAS
describes several very early writing projects. When her mother gave her a writing-case which locked, to ensure privacy, she spent hours in pouring out the effusions of my own bitter heart, Schimmelpenninck, Mary Anne. Life of Mary Anne Schimmelpenninck. Editor Hankin, Christiana C., Longman, Brown, Green, Longmans, and Roberts. 1: 314 |
| Textual Production | Elizabeth Ogilvy Benger | EOB
published another, more ambitious historical biography, Memoirs of the Life of Mary, Queen of Scots. Quarterly Review. J. Murray. 28: 267 O’Brien, Karen. Women and Enlightenment in Eighteenth-Century Britain. Cambridge University Press. 220 |
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