Curran, Stuart. “Mary Robinson and the New Lyric”. Women’s Writing, Vol.
9
, No. 1, pp. 9-22. 14-15
Connections Sort descending | Author name | Excerpt |
---|---|---|
Publishing | Mary Robinson | The Morning Post published MR
's London's Summer Morning, a word-painting of city life in the tradition of Swift
's Description poems. Curran, Stuart. “Mary Robinson and the New Lyric”. Women’s Writing, Vol. 9 , No. 1, pp. 9-22. 14-15 |
Publishing | Mary Barber | MB
's campaign to raise subscribers for her Poems on Several Occasions was well under way: Swift
wrote to her about its progress on 23 February 1731. Stewart, Wendy. “The Poetical Trade of Favours: Swift, Mary Barber, and the Counterfeit Letters”. Lumen, Vol. xviii , pp. 155-74. 170 |
Publishing | Anne Killigrew | The title-page said 1686. The frontispiece is an engraving from one of AK
's two painted self-portraits. Jonathan Swift
had a copy in his library. During the twenty-first century, copies of this handsome little book... |
Reception | Laetitia Pilkington | LP
's work was included in Poems by Eminent Ladies, 1755. But it was also traduced in catchpenny publications like The Celebrated Mrs. Pilkington's Jests; or, The Cabinet of Wit and Humour, 1759... |
Reception | Caroline Clive | This poem was considered one of CC
's best works. It was praised by Mary Russell Mitford
, and George Saintsbury
noted its originality Partridge, Eric Honeywood. “Mrs. Archer Clive”. Literary Sessions, Scholartis Press. 123 |
Reception | Eliza Haywood | Love in Excess, with its arguably six editions by 1725, has repeatedly been likened to Daniel DefoeRobinson Crusoe and Jonathan SwiftGulliver's Travels as bestselling English fictions before Pamela. It has never shared their status, partly... |
Reception | Delarivier Manley | Today DM
's stock is high, but she is less studied than many of her contemporaries. Her choice of genres and her close involvement with the political and other affairs of her time make her... |
Textual Features | Marghanita Laski | Each apology begins with a cliché like To tell you the truth—, or Don't mind me, dear—. One point of the joke (as in Swift
's Polite Conversation, 1738) is the flatness and inadequacy... |
Textual Features | Jane Cave | One interesting feature is the inclusion of nine poems by other authors: the canonical Prior
, Swift
, and Pope
, the lesser-known men John Scott
, William Broome
, and Nathaniel Cotton
, and... |
Textual Features | Maria Edgeworth | This essay includes elements of fiction and reportage. It both exemplifies and defends the colourful and linguistically distinct qualities of Irish lower-class speech, pointing out that for these speakers English is their second language. (This... |
Textual Features | Robert Southey | Against the trend of the times, RS
aimed for historical interest rather than literary canonicity, compiling in his Specimens of the Later English Poets a collection of representative voices rather than a garland: The taste... |
Textual Features | Constantia Grierson | Here she extols Delany
's virtues in the voice of the goddess who hates and resents them (and who is presumed to be behind the recent attacks on Delany stemming from his friendship with Swift)... |
Textual Features | Mary Barber | Her poem to Lord Carteret concerns a work probably by Swift
. The publication addressed to Lady Carteret (actually consisting of one poem to her and one to her daughter) shows a strong sense of... |
Textual Features | L. E. L. | This novel provides a satirical portrait of high society in early eighteenth-century England. It centres on Henrietta, Countess of Marchmont, an upper-class orphan enduring a loveless marriage and imperilled by her first visit to... |
Textual Features | Isabella Lickbarrow | Her first poem, an Introductory Address to the Muse, uses the language of love and courtship: In secret shades alone I woo'd thee then / By stealth, nor to the world durst tell my love... |
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