John, Angela V. Evelyn Sharp: Rebel Woman, 18691955. Manchester University Press.
122, 126
Connections Sort ascending | Author name | Excerpt |
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Literary responses | Evelyn Sharp | Henry Nevinson
, however, judged this to be Sharp's greatest book, worthy of comparison with Swift
's Gulliver's Travels or Samuel Butler
's Erewhon. Harold Laski
, too, admired it. John, Angela V. Evelyn Sharp: Rebel Woman, 18691955. Manchester University Press. 122, 126 |
Literary responses | Mary Caesar | She was just as insecure about her style and presentation in letters as in her journal, and elicited reassuring praise from Pope
, Prior, Swift
, Lord Orrery
, and Lord Lansdowne
. Rumbold, Valerie. “The Jacobite vision of Mary Caesar”. Women, Writing, History, 1640-1740, edited by Isobel Grundy and Susan Wiseman, Batsford, pp. 178-98. 181-2 |
Literary responses | Delarivier Manley | |
Leisure and Society | Sydney Owenson, Lady Morgan | She did not forget her literary plans and ambitions. She had already, in her teens, subscribed to the new and influential magazine Anthologia Hibernica. Now, helping to clear out a house in Dublin which... |
Intertextuality and Influence | Angela Carter | Lorna Sage
noted that South America is an apt setting for this novel, since the essays and stories of Argentinian writer Jorge Luis Borges
show a similar blending of the fantastical and the documentary (... |
Intertextuality and Influence | Constantia Grierson | Grierson wrote this for print, to celebrate her friendship with Barber, and to predict the latter's success. The version printed in the volume shows very careful revision since Grierson's draft copy, with a new, dignified... |
Intertextuality and Influence | Lady Mary Wortley Montagu | Her own title makes her own poem an answer to one of Swift
's most notorious productions. In a brilliant pastiche of his
own stylistic habits and his scatological gusto, Montagu represents him as an... |
Intertextuality and Influence | Elizabeth Elstob | Begun in order to help the work of a female student, this work reiterates more strongly EE
's plea for opening the arena of scholarship to women. For examples of poetic practice she turns to... |
Intertextuality and Influence | Elizabeth Elstob | Elstob probably succeeded in modifying Swift
's views: he later adopted some of hers. Elstob, Elizabeth. “Introduction”. An Apology for the Study of Northern Antiquities, edited by Charles Peake, William Andrews Clark Memorial Library, University of California, p. i - v. iv-v Hughes, Shaun F. D. “The Anglo-Saxon Grammars of George Hickes and Elizabeth Elstob”. Anglo-Saxon Scholarship, the First Three Centuries, edited by Carl T. Berkhout and Milton McC. Gatch, G. K. Hall, pp. 119-47. 119-20 and n2 |
Intertextuality and Influence | Ruth Fainlight | These are serious poems which engage unblinkingly with the perplexities of the human condition. The intricate, highly visual title-poem juxtaposes two views of human lives: one of people as distant and tiny, one as close... |
Intertextuality and Influence | Henrietta Battier | Battier wrote most of this poem in stanzas composed of six iambic pentameters: an unusual metre for her, and one she does not stay in without lapses which may be intentional. Before the last passage... |
Intertextuality and Influence | Simone de Beauvoir | |
Intertextuality and Influence | Judith Sargent Murray | In her usual formal style, which she does not adapt to the more usual conventions of epistolarity, she says it would be useless for her to give Winthrop the current domestic, and commercial intelligence, Skemp, Sheila L. Judith Sargent Murray. A Brief Biography with Documents. Bedford Books. 137 |
Intertextuality and Influence | Emma Robinson | In print ER
's play was accompanied by a preface written in the voice of a young-Turk satirist. It is a piece that could hardly have appeared at this date under a woman's name, and... |
Intertextuality and Influence | Elizabeth Pipe Wolferstan |
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