Oakley, Ann. Telling the Truth about Jerusalem. Basil Blackwell.
prelims
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Literary responses | Kathleen Raine | This book was welcomed by its first critics as a magnum opus of undeniable significance.Jacob Bronowski
defined its purpose as the establishment of Blake
's thought as part of the classical tradition of anti-materialist... |
Intertextuality and Influence | Ruth Pitter | Pitter lets loose what she calls her bawdy side in On Cats, as well as opening small subjects onto large vistas. Three tomcats in a dark garden, by a dreadful tree, enact a witches'... |
Intertextuality and Influence | Ann Oakley | A Note about the Title explains what she means by Jerusalem: a land we aspire to live in, regardless of the fact that we're unlikely to even make it. Oakley, Ann. Telling the Truth about Jerusalem. Basil Blackwell. prelims |
Intertextuality and Influence | Edith Mary Moore | The title-page quotes from Shakespeare
(What's past is Prologue) and Cicero
(That cannot be said too often which is not yet understood). Moore, Edith Mary. The Defeat of Woman. C.W. Daniel Co. prelims |
Textual Production | Edna Lyall | Her general practice was to suggest half a dozen titles and let her publisher choose. With this book she reverted to a three-volume format and to Hurst and Blackett
. Payne, George A. "Edna Lyall:" an Appreciation. John Heywood. 21 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Marie Belloc Lowndes | For Mary King Patterson
of the New York Daily News (a personal friend), MBL
wrote It Is Happening Now, about England at war (an imaginary war, since the story was complete some months before... |
Textual Production | Penelope Lively | Once more the titles provoke curiosity. They include Venice, Now and Then, Grow Old Along with Me, the Best Is Yet to Be (opening line of a poem by Robert Browning
), Yellow... |
Literary responses | Denise Levertov | This provoked intense debate between DL
and Robert Duncan
. He felt impelled to tell her, I feel that revolution, politics, making history, is one of the great falsehoods—is [Blake
's] Orc in his... |
Textual Production | Q. D. Leavis | In this work the Leavises argue (radically modifying the view stated in The Great Tradition) that Dickens was an inheritor of Shakespeare
and Blake
, and a major influence on the formation of the... |
Textual Production | Marghanita Laski | ML
dedicated this novel to her son Jonathan. She took her title from Blake
's The Little Boy Lost: Father, father where are you going? / Oh, do not walk so fast! / Speak... |
Theme or Topic Treated in Text | Marghanita Laski | ML
defines ecstasy as experiences that are joyful, transitory, unexpected, rare, valued, and extraordinary to the point of often seeming as if derived from a praeternatural source. Laski, Marghanita. Ecstasy: A Study of Some Secular and Religious Experiences. Cresset Press. 5 |
Friends, Associates | Lady Caroline Lamb | LCL
was for most of her adult life a good friend of Sydney Morgan
, to whom she confided many stories of her childhood and youth, which Morgan preserved in her diaries. She later helped... |
Publishing | Mary Lamb | In fact Mary had written the versions of all the comedies and histories, while Charles
did the tragedies only. The suppression of her name was not (as the Feminist Companion suggests) due to an error... |
Intertextuality and Influence | Sophia King | The contents are part new, part reprinted. SK
notes this in Remarks of the Author, which admits the claims of good taste but declares that fantastic imagination too has its place. She writes in... |
Intertextuality and Influence | Mary Ann Kelty | Her narratives of these emotional involvements lead her into analysis of the different effects of love on the two sexes. This analysis is founded on two women writers (identifiable although she does not name them)... |
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