Martin, Richard. Ink in Her Blood: The Life and Crime Fiction of Margery Allingham. UMI Research Press, 1988.
33-4
Connections Sort descending | Author name | Excerpt |
---|---|---|
Family and Intimate relationships | Margery Allingham | MA
's parents were cousins. Her great-grandfather was born outside marriage, the eldest of a stable, illegitimate second family. There was no connection with the nineteenth-century Irish poet William Allingham
. Martin, Richard. Ink in Her Blood: The Life and Crime Fiction of Margery Allingham. UMI Research Press, 1988. 33-4 |
Friends, Associates | Matilda Betham-Edwards | MBE
set a great deal of store by meeting men distinguished as authors or in other fields, as a spur to literary achievement of her own. She was given to boasting of her acquaintance with... |
Friends, Associates | Emily Davies | In London, ED
met John Stuart Mill
and Harriet Taylor
. At Emily Faithfull
's parties, frequented by Barbara Leigh Smith Bodichon, Isa Craig
, and Bessie Rayner Parkes, she met Anthony Trollope
, Louis Blanc |
Friends, Associates | Ouida | William Allingham
met Ouida
at a Langham Hotel
dinner, provoking the oft-recited sketch of her as dressed in green silk, with a sinister clever face, her hair down, small hands and feet, and a voice... |
Intertextuality and Influence | Katharine Tynan | Yeats
felt that no one could do it [the volume] so well as you, Tynan, Katharine. The Middle Years. Constable, 1916. 68 Tynan, Katharine. The Middle Years. Constable, 1916. 68-9 |
Occupation | Elizabeth Siddal | ES
was preparing illustrations for ballads by William Allingham
; she also worked on engravings for texts by Wordsworth
, Scott
, Tennyson
, and Browning
. Marsh, Jan, and Pamela Gerrish Nunn. Women Artists and the Pre-Raphaelite Movement. Virago, 1989. 66 |
Theme or Topic Treated in Text | Augusta Webster | During her tenure she encountered the very best and worst of late Victorian poetry. Her published reviews, which critic Marysa Demoor
characterises as expressing a hesitant modernism, Demoor, Marysa. “Women Poets as Critics in the Athenæum: Ungendered Anonymity Unmasked”. Nineteenth-Century Prose, No. 1, pp. 51 -71. 61 |