Ovid

Standard Name: Ovid

Connections

Connections Sort ascending Author name Excerpt
Intertextuality and Influence Gladys Henrietta Schütze
The title phrase opens one of the best-known poems by scholar and poet Francis William Bourdillon . GHS quotes a stanza from it, along with other, more canonical poets from Ovid through Milton and Wordsworth
Intertextuality and Influence Susanna Watts
The first number, dated 1 December 1824, opens with The Editors to the Reader, in which Watts's three personae introduce themselves as sisters. They are very literary personifications, who possess, respectively, the actual spear...
Intertextuality and Influence Jo Shapcott
The prefatory poem To Her Book translates the traditional farewell from creator to creation (as written by Ovid and imitated by Chaucer , Robert Louis Stevenson , and others, and popularly called Go, little book...
Intertextuality and Influence Elizabeth Boyd
EB shares the Scriblerian enthusiasm for mixing genres. She presents To Proteus, The Indisputable God of Change as A Dedication of the foregoing Poem, as a revolutionary Epistle, that shall still more accomplish'dly beautify never-indolent...
Intertextuality and Influence Phillis Wheatley
PW 's poetry is technically adept; collected, it adapts the standard language of sentimentality and protest into a dignified and individual voice. She celebrates liberty of various kinds, praises the work of a black artist...
Intertextuality and Influence Ali Smith
Smith's take on Iphis and Ianthe begins with sisters Anthea and Imogen listening to their grandfather's stories from when I was a girl in the women's suffrage movement: a sure induction into matters of gender...
Intertextuality and Influence A. S. Byatt
One reviewer noted ASB 's fascination with the symbolic world of the fairy tale, the dream and the artist's vision shape both the style and the content.
Rankin, Bill. “Byatt’s Stories Live Up to her High Standards”. Edmonton Journal, p. F7.
F7
In Crocodile Tears a woman walks away...
Intertextuality and Influence Ali Smith
Autumn centres around the intergenerational friendship of 32-year-old art-history lecturer Elisabeth Demand and her childhood neighbour, the clever and lively Daniel Gluck, now 101 years old and quietly existing in a care home. Through silent...
Intertextuality and Influence Isabella Whitney
IW 's verse has dash and pace; her stanzas are jaunty despite the ungainly poulter's measure. In the persona of jilted woman she eschews either pathos or revenge; her tirades are not without humour. She...
Intertextuality and Influence Maureen Duffy
She also says that it can be read as the mirror-image of her earliest novelistic theme: the child's relation to the mother.
Duffy, Maureen. That’s How It Was. Virago.
xi
Duffy dedicates the book to St Venus (a saint whose festival is...
Intertextuality and Influence Ephelia
Not all the poems in the volume are written in Ephelia's voice (which adds an extra dimension to argument over the ascription of those written in other voices). It seems that Ephelia enjoyed ventriloquizing the...
Intertextuality and Influence Sarah Fyge
In Lady Campbell, with a Female Advocate, SF calls her first published work fatal: Go, fatal book, she writes,
Fyge, Sarah. Poems on Several Occasions. J. Nutt.
22
showing off her learning by modifying the Go, little book formula used by...
Intertextuality and Influence Jane Barker
JB writes to one male friend (my Adopted Brother) on his approaching marriage, not to congratulate but to dissuade.
Barker, Jane. Poetical Recreations. Benjamin Crayle.
11
She reflects her intimate knowledge of the work of Katherine Philips and Abraham Cowley
Intertextuality and Influence Hélène Gingold
One of the stories, A Modern Orpheus, revisits the Greek myth related by Ovid and others, with a man named Jones playing the Greek hero's Victorian counterpart. The Thracian poet and musician who attempted...
Intertextuality and Influence Marina Warner
MW published a study entitled Fantastic Metamorphoses, Other Worlds, a work which, like her preceding novel and short-story collection, reflects her interest in the Metamorphoses of Ovid .
Lasdun, James. “Hatching, Splitting, Doubling”. London Review of Books, pp. 24-5.
24
Jays, David. “Forever changes”. The Observer.

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