Jane Austen
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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
Connections Sort ascending | Author name | Excerpt |
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Textual Production | Rose Tremain | RT
published a novel entitled Music and Silence, which she dedicated to her daughter, Eleanor. Scholar John Mullan
has related the title to others employing two abstract nouns, like Elizabeth Inchbald
's Nature and... |
Textual Production | Anne Thackeray Ritchie | ATR
's A Book of Sibyls considered the lives and works of Anna Letitia Barbauld
, Maria Edgeworth
, Amelia Opie
, and Jane Austen
. Callow, Steven D. “A Biographical Sketch of Lady Anne Thackeray Ritchie”. Virginia Woolf Quarterly, Vol. 2 , 1980, pp. 285-7. 289 |
Textual Production | Willa Cather | In the 1920s WC
was working for a maximum of three hours a day, banishing her work from her mind during the rest of day, but keeping herself fresh for it. She said her only... |
Textual Production | Sheenagh Pugh | This subject provides her with an unusual angle on intertextuality: SP
investigates not only the proliferation of sequels to Jane Austen
novels (by Joan Aiken
, Emma Tennant
, and many others) but also the... |
Textual Production | Joan Aiken | Next year came The Smile of the Stranger, a historicalromance whose English heroine experiences not only the French Revolution (since she has been living with her father in France) but other markers of... |
Textual Production | Muriel Spark | Spark's first Brontë project was a group biography of the whole family, including the parents. In June 1949 she felt like a pregnant tigress with this work. It was to be published by Lindsay Drummond |
Textual Production | Sylvia Townsend Warner | STW
published a crisp Shields, Carol. Jane Austen. Viking, 2001. 184 Staley, Thomas F., editor. Dictionary of Literary Biography 34. Gale Research, 1985. 34: 278 Harman, Claire. Sylvia Townsend Warner: A Biography. Chatto and Windus, 1989. 244-5 |
Textual Production | Kathleen E. Innes | Of about a dozen other books in the series, this work was the only one written by a woman about a woman writer. Royds situates Barrett Browning within a strong tradition of women writers including... |
Textual Production | Ling Shuhua | LS read widely and intended to translate fiction by other Anglophone authors. In 1932, she began translating Austen
's Pride and Prejudice, but halted the project when she learned that one of her better-known... |
Textual Production | Catherine Gore | In The Cabinet MinisterCG
borrowed the foundations of a plot from Jane Austen
once more, in the story of an impoverished sister and brother, Bessy and Frank Grenfell, brought up out of reluctant charity... |
Textual Production | Ruth Prawer Jhabvala | Jane Austen
in Manhattan was shot on location in New York for Merchant-Ivory Productions
, with RPJ
's screenplay. Long, Robert Emmet. The Films of Merchant Ivory. Harry N. Abrams, 1991. 108 Sucher, Laurie. The Fiction of Ruth Prawer Jhabvala: The Politics of Passion. Macmillan, 1989. 240 |
Textual Production | Alice Meynell | She often used this column to address the works of literary women of the past. She judged Jane Austen
inferior to Charlotte Brontë
, accepting Brontë's opinion that Austen lacked what she, by implication, possessed:... |
Textual Production | Emma Parker | The title-page quoted Pope
's dictum that woman's a contradiction still. Parker, Emma. Elfrida, Heiress of Belgrove. B. Crosby, 1811, 4 vols. title-page qtd. in Feminist Companion Archive. |
Textual Production | Naomi Alderman | In another article of similar date (early 2017), Alderman praises an early love, the webcomic, formerly the comic strip. Her favourites include as Kate Beaton
's webcomic Hark a Vagrant, which often, as in... |
Textual Features | Maria Edgeworth | The title is ironic: the protagonist is an irritating simpleton (prefiguring Austen
's Mrs Bennet), whose very funny dialogue has its roots in ME
's Essay on . . . Self-Justification. Butler, Marilyn. Maria Edgeworth: A Literary Biography. Clarendon, 1972. 320-2 |
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