Jane Austen

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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA 's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.

Connections

Connections Sort ascending Author name Excerpt
Textual Production G. B. Stern
Sheila Kaye-Smith and GBS jointly published Talking of Jane Austen, an attempt at an informal record of their endless conversations about a novelist they both loved.
Stern, G. B. . And did he stop and speak to you?. Henry Regnery.
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Textual Production Joanna Trollope
JA pursued her Austen connection with a talk on her at a charity Christmas supper held at Chawton House Library on 5 December 2015.
Textual Production Fay Weldon
In 2003 FW contributed a foreword to a new edition of Austen 's juvenile Love and Freindship (which, unusually, corrects the title to Love and Friendship).
Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true.
Textual Production Marghanita Laski
ML went on to write several literary biographies: Jane Austen and Her World (1969), and George Eliot and Her World (1973), as well as her late biography of Kipling The work on Austen includes 137...
Textual Production Naomi Alderman
In another article of similar date (early 2017), Alderman praises an early love, the webcomic, formerly the comic strip. Her favourites include as Kate Beaton 's webcomic Hark a Vagrant, which often, as in...
Textual Production Dorothy Richardson
In her correspondence Richardson addresses a great range of topics, including her own varied reading. She comments on women writers from Julian of Norwich through Jane Austen , Emily and Charlotte Brontë , George Eliot
Textual Production Barbara Hofland
The learnedness of allusion and the Austen -like style of satiric storytelling are both unlike BH 's usual manner. It was not her usual practice, either, to publish anonymously, without mention of other works.
Textual Production Penelope Fitzgerald
PF 's publications in the scholarly field include an edition of The Novel on Blue Paper, an unfinished, unpublished work by William Morris , 1982, and the introduction to a new issue of Oxford University Press
Textual Production Emma Tennant
ET published two more sequels: Emma in Love, Jane Austen 's Emma Continued, and Elinor and Marianne, A Sequel to Sense and Sensibility.
Tennant, Emma. Emma in Love. Fourth Estate.
Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true.
Textual Production Sarah Tytler
In a single volume, ST 's Jane Austen and Her Works offered a short biography and a plot summary of the major novels, interspersed with critical commentary.
OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
Tytler, Sarah. Jane Austen and Her Works. Cassell, Petter, Galpin.
prelims
Textual Production Deborah Moggach
DM has written a number of TV screenplays, both from her own prose and that of others, and in the form of original scripts, from which several of her novels were expanded. She has adapted...
Textual Production Ali Smith
In addition to these collaborative works, AS has published an anthology of her own favourite texts, those she sees as essential to her development as a writer. Published twice under different titles—The Reader (2006)...
Textual Production Monica Dickens
Her other introductions to literary works include one to a paperback edition of Austen 's Mansfield Park in 1972.
Textual Production Charlotte Brontë
CB 's comments on Jane Austen , whom she first read at this time, reflect her own literary priorities: She does her business of delineating the surface of the lives of genteel English people curiously...
Textual Production Deborah Moggach
DM has said of adapting Austen that Pride and Prejudicereally is the perfect story, beautifully paced with its terrible reversals and ironies, and has been a treat to adapt. Also quite daunting, as the...

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