Lytton Strachey

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Standard Name: Strachey, Lytton
Used Form: (Giles) Lytton Strachey

Connections

Connections Author name Sort descending Excerpt
Textual Production Dora Carrington
Carrington created her best known painting, a portrait of her beloved companion , Lytton Strachey.
Textual Production Dora Carrington
Carrington's diaries incorporate lived moments restructured as short stories, some titled (A Short Love Affaire or The Danish Grave and The Reverse of the Medal, for instance); poetry (On a Picture of...
Textual Production Dora Carrington
Carrington painted Tidmarsh Mill, inspired by the house she had recently moved into with author Lytton Strachey ; critic Mary Ann Caws calls the work Carrington's unchallenged masterpiece.
Caws, Mary Ann. Women of Bloomsbury: Virginia, Vanessa, and Carrington. Routledge.
149
Hill, Jane, and Michael Holroyd. The Art of Dora Carrington. Herbert Press.
56
Textual Production Dora Carrington
Beginning in 1918, Carrington and Lytton Strachey composed poems for each other on their respective birthdays.
Gerzina, Gretchen. Carrington: A Life of Dora Carrington, 1893-1932. John Murray.
129, 156
Publishing Dora Carrington
Writing as Mopsa, DC won two guineas in a contest run by the weekend Observer: she entered a whimsical biographical essay on her companion Lytton Strachey , by then famous as an iconoclastic biographer.
Gerzina, Gretchen. Carrington: A Life of Dora Carrington, 1893-1932. John Murray.
288
Author summary Dora Carrington
DC is known predominantly for her personal relationships with writer Lytton Strachey and other members of the Bloomsbury Group, but she produced much striking work—visual and literary—herself. André Derain and Simon Bussy gave her...
Cultural formation Dora Carrington
DC was born into a middle-class family with primarily English roots, whose strict moral and religious codes she rejected in favour of a more socially relaxed or bohemian painting and writing life in London and...
Family and Intimate relationships Dora Carrington
Carrington rejected the offer, and she and Gertler did not begin their physical affair until early 1917.
Gerzina, Gretchen. Carrington: A Life of Dora Carrington, 1893-1932. John Murray.
35, 52, 111
This was short-lived: their relationship ended shortly after 14 February 1918, when a furiously jealous...
Cultural formation Dora Carrington
Here, Morrell and another guest, writer Aldous Huxley (who were both friends of and loyal to Carrington's admirer Mark Gertler ), confronted Carrington about her reluctance to give up her virginity. She described the episode...
Family and Intimate relationships Dora Carrington
Their friendship was at first somewhat shaky, but warmed considerably. Writing in her diary on 6 June 1918, Woolf described DC as such a bustling eager creature, so red & solid, & at the same...
Occupation Dora Carrington
Carrington painted the costumes for Lytton Strachey 's first staged play, The Son of Heaven, shown at the Scala Theatre in 1925.
Hill, Jane, and Michael Holroyd. The Art of Dora Carrington. Herbert Press.
130
Family and Intimate relationships Dora Carrington
Carrington's husband then moved in officially with Carrington and Lytton Strachey . Extramarital affairs of the parties to this unusual marriage had begun by March 1922, yet Carrington and Partridge remained married for the rest...
Family and Intimate relationships Dora Carrington
DC met her greatest love, the writer Lytton Strachey , during a three-day stay at Asheham, the Sussex home of Virginia (and Leonard) Woolf .
This was a year which in Virginia Woolf's life was...
Friends, Associates Dora Carrington
Guests here included some of the women who were to be closest to Carrington until her death: Dorelia John (wife of Augustus John , and now a neighbour), writer Rosamond Lehmann , and Julia Strachey
Residence Dora Carrington
DC and Lytton Strachey moved in together at Tidmarsh Mill near Pangbourne in Berkshire; it was leased for them by friends who were then free to visit on weekends.
Gerzina, Gretchen. Carrington: A Life of Dora Carrington, 1893-1932. John Murray.
127
Hill, Jane, and Michael Holroyd. The Art of Dora Carrington. Herbert Press.
138

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