George Colman

Standard Name: Colman, George,, the elder
Used Form: Mr Town, critic and censor-general

Connections

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Publishing Charlotte Smith
Encouraged by her friendship with the theatrical patron and amateur performer Henrietta O'Neill , CS had long thought about writing for the stage. She had written to Georgiana, Duchess of Devonshire , in 1795 about...
Publishing Elizabeth Griffith
After The School for Rakes, Garrick appeared to think he had done all for EG that she could expect from him, and repelled a series of advances from her about a new play. By...
Publishing Henrietta Battier
She hoped to get a volume of her collected poems published while she was in London in 1784, and enlisted the aid of Samuel Johnson. Johnson offered positive encouragement (assuring her he had often been...
Publishing Elizabeth Inchbald
She was working on a farce again in December 1779, and a year after that she submitted another one, on the topic of polygamy, to Harris , who rejected it. Yet another farce, The Ancient...
Publishing Elizabeth Inchbald
EI anonymously submitted The Mogul Tale; or, The Descent of the Balloon, to Colman in March 1784. He paid her 100 guineas for it, having asked for and got some revisions. It was at...
Publishing Elizabeth Inchbald
It appeared, four months after she submitted it to Colman , and ran for ten days. EI played a small role, Selina, and at one point dried up completely on stage.
Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America.
31-2
An unauthorized edition...
Reception Sarah Gardner
George Colman pursued his enmity against SG for almost twenty years, twice staging at the Haymarket Theatre farces in mockery of women dramatists which aim at her, and for each of which he was able...
Reception Mary Masters
MM 's friendship with Johnson laid her open to suspicion that he had revised and polished her poems. But this work was praised in the Gentleman's Magazine.
Gentleman’s Magazine. Various publishers.
25 (1755) 190-1
A selection was reprinted...
Textual Features Catherine Gore
CG calls Quid Pro Quoa bustling play of the Farquhar , or George Colman school.
Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, pp. 1-34.
28
Her prologue makes the point that the rapidity of modern life, symbolised by the railway, leaves no time...
Textual Features Mariana Starke
In her preface MS makes fun of rumours that were circulating about her identity—that she was a grocer's daughter, or an adventuress, or a mother of six starving children. She concludes, however, that it is...
Textual Features Susanna Haswell Rowson
Steven Epley finds Eumea reminiscent of the native woman betrayed in Inkle and Yarico, and that the Irishman is used, like Trudge in Colman 's version of that story, to demonstrate the superiority of...
Textual Production Sarah Gardner
SG wrote and kept a detailed account of her dealings with George Colman over staging The Matrimonial Advertisement, which her manuscript sets out like a preface to a play in print, or like the...
Textual Production Elizabeth Griffith
Its full title was The Barber of Seville; or, The Useless Precaution, A Comedy in Four Acts. It was never performed, probably because of a rival translation by George Colman , as The Spanish...
Textual Production Frances Seymour, Countess of Hertford
These poems relate or embroider on a tale of interracial lovers whose original source is a bare paragraph in Richard Ligon 's History of Barbados, 1657.
Morton, Richard Everett. “Review of Frank Felsenstein, <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>English Trader, Indian Maid</span&gt”;. Eighteenth-Century Fiction, Vol.
13
, No. 1, pp. 86-8.
87
From this Richard Steele created Yarico on...
Textual Production Frances Sheridan
In Garrick 's absence in France, it was produced by George Colman .
Sheridan, Frances. “Introduction”. The Plays of Frances Sheridan, edited by Richard Hogan and Jerry C. Beasley, University of Delaware Press, pp. 13-35.
24
It ran for only three nights, though after the first performance FS hastily rewrote passages in act four. The meagre single...

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