Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan.
300
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Lady Caroline Lamb | LCL
published another satire on Byron
's writing: Gordon, A Tale, A Poetical Review of Don Juan, in two cantos. Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan. 300 |
Textual Production | George Paston | "To Lord Byron
": Feminine Profiles Based Upon Unpublished Letters, a volume of women's letters that GP
left unfinished, was posthumously issued, completed by a younger historian, Peter Quennell
. TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 1948 (3 June 1939): 329 Miller, Anita, and George Paston. “Afterword”. A Writer of Books, Academy Chicago Publishers, pp. 261-5. 265 “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 149 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Elizabeth Thomas | She wrote this novel, she said, because she admired Byron
's poem Childe Harold, but thought it wanted a finish. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
Textual Production | Georgiana Cavendish, Duchess of Devonshire | The manuscript of this play subsequently went missing. There were stories that Byron
had plagiarised his highly successful Kruitzner adaptation, Werner, from it. Foreman, Amanda. Georgiana, Duchess of Devonshire. HarperCollins. 331n8 |
Textual Production | Mary Shelley | MS
was the only one of the group to rise to Byron
's challenge by completing a ghost story, which she did almost a year later, on 14 May 1817. Shelley, Mary. “Introduction”. Frankenstein, edited by David Lorne Macdonald and Kathleen Scherf, Broadview, pp. 11-43. 33 |
Textual Production | Catherine Fanshawe | Barbarina Brand, Lady Dacre
, later wrote that she owned a copy of the Riddle on the Letter H in Fanshawe's handwriting dating from around 1806, before anyone had heard of Byron
. Barbarina Charlotte, Lady Grey,. A Family Chronicle. Editor Lyster, Gertrude, John Murray. 21 |
Textual Production | Sarah Green | This too was in three volumes from A. K. Newman
of the former Minerva Press
. Its title-page quotes Byron
. |
Textual Production | Marghanita Laski | The programme considered contemporary political and social subjects through the lens of historical and classical literary texts by, for instance Shakespeare
, Byron
, Shaw
, and Wilde
. It was shown on Sunday evenings. Lewisohn, Mark. “Dig This Rhubarb”. The bbc.co.uk Guide to Comedy. |
Textual Production | Mary Shelley | The presentation copy of Frankenstein, first edition, which MS
inscribed To Lord Byron
, from the Author, turned up among the papers of the Labour politician |
Textual Production | George Paston | GP
had discovered these letters—written by, among others, Elizabeth Pigot
, Lady Caroline Lamb
, Augusta Leigh
, Lady Melbourne
, Annabella Milbanke
, Claire Clairmont
, and the actresses Susan Boyce
and Mrs Spencer... |
Textual Production | Percy Bysshe Shelley | PBS
published his long poem Queen Mab, following quickly on Byron
's The Giaour. Granniss, Ruth S. A Descriptive Catalogue. The Grolier Club. 28-9 |
Textual Features | Emily Brontë | The range of her poems shows the influence of both Byron
and Wordsworth
. There are monologues evincing deep suffering and social alienation and lyrics evoking the power of nature. As Angela Leighton
argues (following... |
Textual Features | Harriet Smythies | In a critical preface HS
reveals her gender though not her name. She opens by invoking the author of Rienzi (either, Mary Russell Mitford
or Edward Bulwer Lytton
). The two groups of lovers and... |
Textual Features | Harriet Downing | In the title poem a recluse offers shelter in his cave to a lady who gives birth and then dies, leaving her child to be educated only by nature. The protagonist of The Dying Maniac... |
Textual Features | Fanny Kemble | Of the hundred lyrics and sonnets, several cover topics of romance: My soul grows faint, my veins run liquid flame, / And my bewildered spirit seems to swim / In eddying whirls of passion, dizzily... |
No timeline events available.
No bibliographical results available.