Athenæum. J. Lection.
1428 (1855): 290
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Dorothea Gerard | Miss Middleton's new Polish home is half-palace, half-cottage; her new pupil, Anulka Zielinska, is a precocious, delicate ten-year-old. Anulka's father is dead, her mother is a cadaverous invalid, and her sister Jadwiga is nine years... |
Textual Features | Mary Anne Duffus Hardy | The business of these poems is to heroicize the British soldiers fighting in Crimea, in such lines as They fell, but died not—heroes cannot die. Athenæum. J. Lection. 1428 (1855): 290 |
Textual Features | L. E. L. | LEL's work was more varied, particularly in the miscellaneous poetry attached to such collections prefaced by longer poems, than has been recognized. Although much of her poetry does invoke sentiment, there is also a strongly... |
Textual Features | Mary Russell Mitford | MRM
has no patience with Laetitia-Matilda Hawkins
's The Countess and Gertrude or with Byron
's Childe Harold. Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers. 1: 133, 152 |
Textual Features | Margaret Holford | The title-page quotes a French proverb: La fin couronne les oeuvres, or the end crowns the work The dedication to Baillie expresses pride in the friendship, but shame at the idea of comparison between their... |
Textual Features | Elizabeth Barrett Browning | In over 1,200 lines divided into numbered books, the abstract and didactic poem of the title seeks to sketch, in the language of the preface, the sublime circuit of intellect in poetry and philosophy. Browning, Elizabeth Barrett. The Complete Works of Elizabeth Barrett Browning. Editors Clarke, Helen A. and Charlotte Porter, AMS Press. 1: 59 |
Textual Features | Elizabeth Barrett Browning | According to its editor Julia Markus
, the poem constitutes one of the most detailed accounts of Florence in 1847 and 1849, and it interweaves with that political history of a nation-in-the-making a deeply personal... |
Textual Features | Lady Caroline Lamb | Using as a foundation her affair with Byron
(not its actual events but its emotional impact), LCL
tells a melodramatic, gothic tale in rhapsodic, overblown style. Critic Paul Douglass
thinks the fourteen lyrics included in... |
Textual Features | Catherine Gore | Writing beyond the ending of Childe Harold is indicative of the special place that Byron
holds in relation to CG
's work. She often quotes his poetry in influential positions, and she plays variations on... |
Textual Features | Joanna Baillie | The verse contents of this collection include a poem probably written thirty-six years before, Recollections of a Dear and Steady Friend, Anne Isabella nee Milbanke (generally known as Annabella)
, widow of the poet... |
Textual Production | Lucille Iremonger | LI
published two biographies of English princesses: of Princess Sophia
, daughter of George III
(who bore a child to an unidentified father), in 1958, and of Queen Victoria
's daughters in 1982. In 1981... |
Textual Production | Margiad Evans | ME
did some writing even after she moved to Sussex, but she dissipated her inadequate energy on competing projects: a play about Byron
, a short study of John Clare
, a few stories... |
Textual Production | Harriet Beecher Stowe | HBS
defended the role taken by Lady Byron
in her marriage to the poet
, which seeks to modify if not to explode prevailing female stereotypes, in Lady Byron Vindicated. Hedrick, Joan. Harriet Beecher Stowe: A Life. Oxford University Press. 368 Adams, John R. Harriet Beecher Stowe. Twayne. 88 |
Textual Production | Amelia Beauclerc | The title-page quotes Byron
. |
Textual Production | Katharine Tynan | KT
established in her novel She Walks in Beauty (whose title comes from a lyric by Byron
) a plot line she would repeatedly use in later novels. Fallon, Ann Connerton. Katharine Tynan. Twayne. 142 |
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