Jenkins, Elizabeth. The View from Downshire Hill. Michael Johnson, 2004.
148
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Elizabeth Jenkins | In her day EJ
knew most of the London literary world. She met Agatha Christie
, whom she described as the most elegantly dressed elderly woman I have ever seen. Jenkins, Elizabeth. The View from Downshire Hill. Michael Johnson, 2004. 148 |
Literary responses | Elizabeth Jenkins | The earliest reviews, said EJ
, were not encouraging and some were both tepid and denigratory . . . because [the reviewers] felt it was a dead bore to have to read about Jane Austen... |
Material Conditions of Writing | Elizabeth Jenkins | At this date, said EJ
later, there was, astonishingly, no complete life, including chronological discussion of works, of Jane Austen. Modern scholarship, however, had just begun, largely in the work of R. W. Chapman
... |
Occupation | May Cannan | MC
went back to work at Oxford University Press
, at the invitation of R. W. Chapman
, helping on the weekly Oxford Magazine. Cannan, May, and Bevil Quiller-Couch. “Editorial Materials”. The Tears of War, edited by Charlotte Fyfe, Cavalier Books, 2000, p. Various pages. 141-2 |
Occupation | Elizabeth Jenkins | EJ
was one of the founders of the Jane Austen Society
, launched in 1940. She campaigned for the purchase (achieved in 1947) of the cottage at Chawton in Hampshire where Austen
lived for her... |
Publishing | Jane Austen | JA
was a great family letter-writer. She wrote letter-chronicles to her sister whenever they were apart, and letters of literary advice to her several young relations who attempted novel-writing. As late as 1870 her descendants... |
Publishing | Hester Lynch Piozzi | HLP
was a voluminous letter-writer all her life. Though scholarly estimates differ, there is no doubt that thousands of her letters survive. The first selection appeared in print in 1833. Many early editions, however, had... |
Reception | Jane Austen | Modern criticism of Austen, now remarkably rich and varied, may be seen as having begun with a monograph by Mary Lascelles
, Jane Austen and her Art, 1939, which was also the first to... |
Reception | Jane Austen | |
Textual Features | Catherine Hubback | The younger sister is Emma Watson, who has been educated away from home, and who on returning to her impoverished family finds herself out of sympathy with her elder sisters' quest to attract husbands. As... |
Textual Production | Elizabeth Jenkins | EJ
contributed an introduction to a volume, the seventh in John Lehmann
's The Chiltern Library, published in 1947 and containing two titles by Elizabeth Gaskell
. In her introduction to Thackeray
's Vanity... |
Textual Production | Elizabeth Montagu | A TLS review by R. W. Chapman
sounded distinctly anti-feminist. He wrote that by employing heroic remedies, the indomitable editor has cut away all the elaborate openings and studied conclusions, masses of domestic detail, nine-tenths... |
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