Cook, Ann. Professed Cookery. White.
206
Connections
| Connections | Author name Sort ascending | Excerpt |
|---|---|---|
| Cultural formation | Ann Cook | AC
seems to remind her reader that she has risen socially through her own efforts when she calls her position as a married inn-keeper a middling state. Henry Fielding
, for instance, presents some... |
| Textual Production | Mary Collyer | Marivaux' full title, La vie de Marianne; ou, Les aventures de Madame la Comtesse de*****, suggests a story from actual life. MC
wrote most of her version before 1741 (very soon after the French... |
| Intertextuality and Influence | Mary Collyer | The protagonist's name had been used by both Richardson
(in Clarissa) and Henry Fielding
(in Tom Jones) as a kind of generic appellation for a specific maid or young woman of the servant... |
| Friends, Associates | Jane Collier | JC
was a lifelong friend of Sarah Fielding
and her brother Henry
(who famously mentioned in a book inscription her understanding more than Female, mixed with virtues almost more than human), Londry, Michael. “Our dear Miss Jenny Collier”. Times Literary Supplement, pp. 13-14. 14 |
| Textual Features | Jane Collier | It vividly reflects the liveliness and originality of JC
's mind, her interest in books (from the classics and the Bible to very recent publications), education, women's issues, family life, and in moral interpretation of... |
| Textual Features | Jane Collier | The commonplace-book throws light on Collier's other extant writings as well. A casual mention of what Sally calls the Turba proves definitively that at least one neologism in The Cry stemmed not from her but... |
| Literary responses | Jane Collier | The book's authorship is generally accepted, although Jayne Elizabeth Lewis
has written that JC
produced it evidently with some assistance from Fielding
. Lewis, Jayne Elizabeth. “Clarissa’s Cruelty: Modern Fables of Moral Authority in <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>The History of a Young Lady</span>”;. Clarissa and Her Readers: New Essays for the Clarissa Project, edited by Carol Houlihan Flynn and Edward Copeland, AMS Press, pp. 45-67. 64n14 |
| Literary responses | Mary Charlton | The New London Review ranked this novel much above mediocrity although over-crowded with incident. It felt that MC
had made an error of judgement in putting into the mouths of her inferior personages what it... |
| Occupation | Charlotte Charke | CC
, at Henry Fielding
's Haymarket Theatre
, appeared in male roles: as Macheath (John Gay
), Falstaff (Shakespeare
), George Barnwell (George Lillo
), and Lothario (Nicholas Rowe
). The London Stage 1660-1800. Southern Illinois University Press. 3: 402ff |
| Occupation | Charlotte Charke | CC
scored a personal success in Henry Fielding
's daring stage satire The Historical Register for the Year 1736, as the auctioneer Christopher Hen (modelled on the actual Christopher Cock
). Baruth, Philip E. “Who Is Charlotte Charke?”. Introducing Charlotte Charke: Actress, Author, Enigma, edited by Philip E. Baruth, University of Illinois Press, pp. 9-62. 23-4 The London Stage 1660-1800. Southern Illinois University Press. 3: 651 |
| Theme or Topic Treated in Text | Hester Mulso Chapone | When Richardson offered her a list of examples of filial disobedience, she replied that no doubt an equally heinous list could be produced of parental oppression. With Carter
she mulled over religious and literary questions... |
| Literary responses | Margaret Calderwood | The editor of MC
's travel account, Alexander Fergusson
, did not think much of her novel; he wrote that it scarcely fulfilled expectations. Calderwood, Margaret. “L’envoi”. Letters and Journals, edited by Alexander Fergusson, David Douglas, pp. 353-78. 356 |
| Textual Features | Frances Burney | Evelina opens with an ode to Charles Burney
(unnamed) as Author of my Being, which sounds like an apology for having written. Doody, Margaret Anne. Frances Burney: The Life in the Works. Cambridge University Press. 37 |
| Intertextuality and Influence | Rhoda Broughton | RB
's satire here embraces the publishing industry and its pandering to readers' tastes. Emma's cousin Lesbia is apparently representative of a particular type of circulating-library reader; much to Emma's mortification, she likes Miching Mallecho... |
| Theme or Topic Treated in Text | Ann Bridge | Though the authors declare on their opening page that the modern need is to supplement the exhaustive Baedeker with a selective guidebook (something designed to tell travellers what they cannot afford to miss), they actually... |
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