Blain, Virginia, Patricia Clements, and Isobel Grundy, editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Education | Caroline Clive | CC
's education took place at home. |
Education | H. D. | Following her withdrawal from Bryn Mawr, HD (with Pound
's assistance) embarked on an intensive independent study programme that lasted for five years. During this period she read and studied writers such as William Morris |
Education | Ouida | |
Family and Intimate relationships | Caroline Clive | |
Fictionalization | George Sand | GS
was portrayed as Mademoiselle de Touches in Balzac
's novel Béatrix, a fictionalized account of the love affair between Franz Liszt
and Marie d'Agoult
. Jordan, Ruth. George Sand: A Biographical Portrait. Taplinger, 1976. 170-1 |
Friends, Associates | George Sand | It was while working for the Figaro that she met Honoré de Balzac
and the journalist Henri de Latouche
. Another writer who became a friend and mentor to her was critic Charles Augustin Sainte-Beuve
. Jack, Belinda. George Sand: A Woman’s Life Writ Large. Vintage, 2001. 174-6 Jaeger, Muriel. Experimental Lives from Cato to George Sand. G. Bell and Sons, 1932. 192 |
Intertextuality and Influence | Mary Elizabeth Braddon | Charlotte's Inheritance treats the Stock Exchange
and a poisoner based on art critic and murderer Thomas Griffiths Wainewright
. Both these books, according to Wolff, reveal the influence of Collins
and Balzac
, about whose... |
Intertextuality and Influence | Anita Brookner | This book, abounding in satirical vignettes, is the first of AB
's anti-romances. Its protagonist is a university lecturer who, looking back at forty on her experience since childhood, knew that her life had been... |
Intertextuality and Influence | Natalie Clifford Barney | Like her earlier novels, this one seems to be partly based on her relationship with Renée Vivien
, who committed suicide twenty years before it was published. The story is told from the point of... |
Intertextuality and Influence | Pamela Hansford Johnson | In each novel Toby, who comes from a lower-middle-class South London background and is sharply aware of the utility of women for a handsome young man like himself with the intention of rising in the... |
Intertextuality and Influence | Lucas Malet | Though ML was familiar with the canonical English Victorian novelists (and, less usually, with Samuel Richardson
's Sir Charles Grandison, to whose great length she alludes with approval), those writers she acknowledged as influences... |
Intertextuality and Influence | Mary Elizabeth Braddon | |
Literary responses | Ouida | The Athenæum criticized this novel for mock eloquence Athenæum. J. Lection. 2016 (16 June 1866): 797 Athenæum. J. Lection. 2016 (16 June 1866): 798 |
Literary responses | George Sand | The novel met with high praise from Balzac
, and a critic at the Revue des Deux Mondes thought it better than anything by Germaine de Staël
. These two knew the author's gender, but... |
Literary responses | Olive Schreiner | The book elicited strong reactions, most of them positive. It was highly praised by Philip Kent
, who wrote a long article about it instead of his usual shorter reviews in Life, a weekly... |
Timeline
1827
French novelist Honoré de Balzac
began publishing his series of ninety-one interconnected novels and stories, the Comédie humaine.
1833
Honoré de Balzac
published his novelEugénie Grandet.
1834
Honoré de Balzac
's novelEsther Heureuse, part of his Comédie humaine, appeared, introducing those who were able to read it in French to an early representation of l'amour sapphique or lesbianism.
Linton, Eliza Lynn. “Introduction”. The Rebel of the Family, edited by Deborah T. Meem, Broadview, 2002, pp. 9 - 18.
11
1846
Honoré de Balzac
published La Cousine Bette.