Ann Radcliffe

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Standard Name: Radcliffe, Ann
Birth Name: Ann Ward
Married Name: Ann Radcliffe
Pseudonym: The Author of A Sicilian Romance
Pseudonym: Adeline
AR is well known as the mistress par excellence of eighteenth-century Gothic fiction, the continuing tradition of which she strongly marked with the characteristics of her individual style. She also produced poetry, travel writing, and criticism. She apparently wrote for her own enjoyment, not because she needed the money, and after five novels in seven years she stopped publishing. She held aloof from the company of other literary people, and kept her private life from the public eye.

Connections

Connections Author name Sort descending Excerpt
Theme or Topic Treated in Text Julia Kavanagh
In this second work of women's literary history, JK once again limits herself to the novel. Her canon comprises ten authors, from Aphra Behn to Sydney Morgan by way of Sarah Fielding , Frances Burney
Literary responses Isabella Kelly
This novel was praised by the British Critic as entitled to no mean place among the better productions of this description.
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
The interesting characters, gripping incident, and unaffected language were singled out for praise.
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
Frederick S. Frank
Literary responses Isabella Kelly
The Critical made a basic misjudgement of The Abbey of St. Asaph (seemingly paying more attention to title than to content): it listed all the appurtenances of the Radcliffe an novel, with which it said...
Intertextuality and Influence Margaret Kennedy
MK found the inspiration for this novel in Jane Austen 's satire of gothic melodrama, Northanger Abbey. The tragic melodrama of this novel's love stories, however, brings it closer to the actual gothic tradition...
Intertextuality and Influence Sophia King
SK set her birth name to this novel, which she presumably arranged for before her wedding in July. The British Library has a copy, N 2048. SK provides a spirited preface on the part played...
Literary responses Lady Caroline Lamb
Reviewers were anything but indifferent. The New Monthly Magazine thought the title character ably and vigorously drawn and the book therefore a moral one: a fearful beacon to warn the young and inexperienced. But the...
Friends, Associates Harriet Lee
HL , like her sister, was personally friendly with many other writers of her day: Jane and Anna Maria Porter , Ann Radcliffe (even though the latter probably did not, as often reported, attend the...
Occupation Sophia Lee
In 1795 SL subscribed, as Miss Lee of Belvedere and clearly for the use of the school, to James Marshall's Library of Bath, a circulating library with a comparatively small proportion of fiction in its...
Friends, Associates Sophia Lee
Their school, together with their literary careers, brought SL and her sisters a wide circle of friends and contacts, including Jane and Anna Maria Porter . The novelist Elizabeth Sophia Tomlins describes Sophia as surrounded...
Intertextuality and Influence Sophia Lee
The Recess was highly influential: in its basic technique of inserting fictive persons among actual historical ones, in its polarization of Elizabeth and Mary , and in its heavily sentimental tone. Writers directly influenced by...
Leisure and Society Eliza Lynn Linton
In London, Eliza Lynn drank in artistic life. She championed the singing of Jenny Lind against those who preferred Alboni or Malibran. She performed for Samuel Laurence the role of uninformed art critic or foolometer...
Theme or Topic Treated in Text Anna Maria Mackenzie
AMM 's opening address To the Readers of Modern Romance says that ancient romance was put paid to by the new source of amusement . . . struck out by Henry Fielding and Richardson (to...
Literary responses Anna Maria Mackenzie
The Critical Review was unimpressed, classifying this as an inadequate imitation of Radcliffe , incorporating the apparently obligatory ingredients of cruel German counts, each with two wives—old castles—private doors—sliding panels—banditti—assassins—ghosts &c. This mixture, it...
Literary responses Anna Maria Mackenzie
It provoked the Critical to extended complaint about the pains of reviewing. Nothing, it said, was so harrassing and tedious as a novel without a plan like this,
Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press.
1: 684
in which detached scenes of...
Education Anne Marsh
She was not taught religion until she was five, and if her mother had not thought her a forward child she would have waited another year. It was a maxim of my Mother that children...

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