Mudge, Bradford Keyes, and Sara Coleridge. Sara Coleridge, a Victorian Daughter: Her Life and Essays. Yale University Press.
24
Percy Bysshe Shelley
-
Standard Name: Shelley, Percy Bysshe
PBS
is one of the six major (male) English Romantic poets.
Connections
| Connections | Author name Sort ascending | Excerpt |
|---|---|---|
| Education | Marie Corelli | Looking back on her early education, MC
wrote I managed to develop into a curiously determined independent little personality, with ideas and opinions more suited to some clever young man. . . . I instinctively... |
| Reception | Eliza Cook | EC
was herself by this date revelling in the popular success of her work, pleased to find another edition of Poems demanded in an age when the public mind seems nearly as much railroaded as... |
| Travel | Sara Coleridge | In her years growing up, SC
frequently visited the William WordsworthWordsworth
family at Rydal Mount. |
| Friends, Associates | Mary Cowden Clarke | MCC
's parents frequently entertained eminent literary figures in a drawing-room where the paintings were all executed by distinguished friends. At an early age she became acquainted with Charles
and Mary Lamb
, Leigh Hunt |
| Textual Production | Robert Browning | RB
's Introductory Essay on Shelley
appeared in Edward Moxon
's edition of Letters of Percy Bysshe Shelley. Day, Aidan, and Robert Browning. “Introduction, Critical Commentary, and Editorial Materials”. Robert Browning: Selected Poetry and Prose, Routledge, pp. 1 - 21, 151. 230 Browning, Robert. Robert Browning’s Poetry: Authoritative Texts, Criticism. Editor Loucks, James F., W. W. Norton. vii The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html. 1269 (21 January 1852): 214-5 |
| Cultural formation | Robert Browning | The metaphysical themes of RB
's verse reflect his eclectic engagement with systems of belief: raised by a Nonconformist mother, he became an atheist as a consequence of reading Shelley Batho, Edith C., and Bonamy Dobree. The Victorians and After: 1830-1914. Cresset Press. 31 |
| Textual Production | Mary Ann Browne | The dedication celebrates her sister as the playmate of my childhood, the companion of my youth, and . . . the friend and blessing of my maturer years. Browne, Mary Ann. Ignatia. Hamilton, Adams. prelims |
| Intertextuality and Influence | Mary Elizabeth Braddon | This story of infidelity features an Italian financier who as a furiously jealous foreigner is compared to Shakespeare's Othello. (At least Provana is not black Braddon, Mary Elizabeth. Beyond These Voices. Hutchinson. 68 |
| Textual Production | Caroline Bowles | CB
's letters to the poet she married were published in The Correspondence of Robert Southey
with Caroline Bowles, To which are added: Correspondence with Shelley
, and Southey's Dreams. Shattock, Joanne. The Oxford Guide to British Women Writers. Oxford University Press. |
| Textual Production | Mathilde Blind | MB
delivered to the Shelley Society
a lecture on Percy Bysshe Shelley
at St George's Hall, Langham Place in London. The lecture drew the attention of the Editor of the Westminster Review. Garnett, Richard, and Mathilde Blind. “Memoir”. The Poetical Works of Mathilde Blind, edited by Arthur Symons and Arthur Symons, T. Fisher Unwin, pp. 1-43. 24 |
| Publishing | Mathilde Blind | MB
's criticism of Percy Bysshe Shelley
(a version of a lecture given the previous year) was published in the Westminster Review. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
| Intertextuality and Influence | Mathilde Blind | |
| Textual Production | Mathilde Blind |
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