Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, pp. 1-34.
3
Theatre Royal, Haymarket
Connections
| Connections Sort ascending | Author name | Excerpt |
|---|---|---|
| Performance of text | Catherine Gore | CG
's first comedy, The School for Coquettes, opened a long run (thirty-seven performances) at the recently opened Haymarket Theatre
. Athenæum. J. Lection. 194 (1831): 460 |
| Performance of text | Catherine Gore | CG
's new play, The Queen's Champion, opened as an afterpiece at the Theatre Royal, Haymarket
: it was translated from a French vaudeville entertainment. Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, pp. 1-34. 7 Gore, Catherine. Gore on Stage: The Plays of Catherine Gore. Editor Franceschina, John, Garland. 158 |
| Performance of text | Catherine Gore | CG
's The Maid of Croissey; or, Theresa's Vow, a village melodrama adapted from French, opened at the Haymarket Theatre
. Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, pp. 1-34. 13-14 |
| Performance of text | Catherine Gore | CG
's prize-winning final play, Quid Pro Quo; or, The Day of Dupes, opened at the Haymarket Theatre
. Donkin, Ellen. “Mrs. Gore gives tit for tat”. Women and Playwriting in Nineteenth-Century Britain, edited by Tracy C. Davis and Ellen Donkin, Cambridge University Press, pp. 54-74. 57 Gore, Catherine. “Introduction”. Gore on Stage: The Plays of Catherine Gore, edited by John Franceschina, Garland, pp. 1-34. 26 |
| Occupation | Mary Cowden Clarke | A production of The Merry Wives of Windsor by Charles Dickens
's Amateur Company
opened at the Haymarket Theatre
, with MCC
as Mistress Quickly, wearing Elizabethan costume she had made herself. Clarke, Mary Cowden. My Long Life. Dodd, Mead. 136-7 |
| Occupation | Elizabeth Sarah Gooch | ESG
, as Mrs William Gooch, acted during the off-season at the Haymarket Theatre
in London. Highfill, Philip H. et al. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers and Other Stage Personnel in London, 1660-1800. Southern Illinois University Press. 6: 249 |
| Intertextuality and Influence | Mary Charlton | The Oxford Dictionary of National Biography notes that Thomas Dibdin
used a translation from La Fontaine by MC
as the basis of a comedy, Guilty or Not Guilty, which opened at the Haymarket
in... |
| Friends, Associates | Evelyn Glover | Though not known to the eminent residents of the nearby square, EG
enjoyed a cordial acquaintance with many of their cooks and butlers, based on a shared love of cats. She mentions some theatrical friends:... |
| Family and Intimate relationships | Viola Tree | Throughout her life, VT
took direction from her father, the actor-manager Sir Herbert Beerbohm Tree
, who had abandoned his job in the family corn-trading business to pursue a career on stage, and had changed... |
Timeline
October 1972: A gala performance was held at the Haymarket...
Building item
October 1972
A gala performance was held at the Haymarket Theatre
, featuring all the leading lights of the British stage, to celebrate Dame Sybil Thorndike
's ninetieth birthday.
Texts
No bibliographical results available.