Kelly, Gary. Women, Writing, and Revolution 1790-1827. Clarendon.
94-5
Connections Sort ascending | Author name | Excerpt |
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Textual Production | Ann Yearsley | The full title was The Royal Captives: A Fragment of Secret History. Copied from an old manuscript. It was published by Robinson
in four volumes—though it is, as the full title implies, incomplete. They... |
Textual Production | Mary Hays | She had finished writing it by early May. Her publisher was Robinson
, who also published Godwin. He advertised the novel just before publication. Kelly, Gary. Women, Writing, and Revolution 1790-1827. Clarendon. 94-5 Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1: 677 |
Textual Production | Ann Radcliffe | The full title is A Journey made in the Summer of 1794, through Holland and the Western Frontier of Germany, with a Return down the Rhine. To which are added Observations during a... |
Textual Production | Barbara Hofland | BH
published with G. and S. Robinson
the epistolary Iwanowna; or, The Maid of Moscow. A Novel; the title-page identifies her only by a list of some of her previous work. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 2: 381 Feminist Companion Archive. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Anna Seward | |
Textual Production | Elizabeth Inchbald | A two-act farce by EI
, Appearance is Against Them (played at Covent Garden
the previous month), was published by George Robinson
. Critical Review. W. Simpkin and R. Marshall. 60 (1785): 393 Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America. 34 |
Textual Production | Charlotte Smith | CS
dated the preface (an innovation for her) to Desmond: A Novel, published through G. G. J. and J. Robinson
, the first of her works to be titled with a man's name. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1: 574 Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan. 140, 142 Smith, Charlotte. “Introduction”. Emmeline, the Orphan of the Castle, edited by Anne Henry Ehrenpreis, Oxford University Press. xxiii |
Textual Features | Helen Maria Williams | Published in two volumes, by G. G. and J. Robinson
, this opens with further discussion of Switzerland, after a preface written with maturity and confidence in her own ability to deflect hostile criticism... |
Publishing | Elizabeth Inchbald | She had finished writing it about two years earlier, during the revolutionary period. Manvell, Roger. Elizabeth Inchbald: England’s Principal Woman Dramatist and Independent Woman of Letters in 18th Century London. University Press of America. 108 |
Publishing | Charlotte Smith | Her former publisher, the firm of Cadell
, was just passing to a new generation. Both Thomas Cadells
, father and son
, and William Davies (partner of the latter) found Desmond too revolutionary: it... |
Publishing | Elizabeth Inchbald | |
Publishing | Mariana Starke | Her work long pre-dated the standard guides associated with the names and the publishing houses of John Murray
in the mid-nineteenth century or Karl Baedeker
in the early twentieth. Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Publishing | Mariana Starke | The book was reprinted in a third edition under this title by Sherwood, Neely, and Jones
in 1816, the year after Robinson
's re-issue of Letters from Italy. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Publishing | Elizabeth Sophia Tomlins | The work was advertised in a newspaper of 21-4 January. A Dublin edition appeared the same year. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 1: 576 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Publishing | Helen Maria Williams |
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