Daniels, Elizabeth Adams. Jessie White Mario: Risorgimento Revolutionary. Ohio University Press.
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Connections Sort ascending | Author name | Excerpt |
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Textual Features | Evelyn Underhill | The Lost Word draws on but warps the conventions of aestheticism. Catherine Alstone's passion for art is not inflected by practical concerns, but neither is it art for artisticness that I want . .... |
Textual Features | Jessie White Mario | Here she gives her appraisal of Catholic
and Protestant views of women's rights, as well as a general discussion of the disappointingly slight interest in Italy in sexual equality. Daniels, Elizabeth Adams. Jessie White Mario: Risorgimento Revolutionary. Ohio University Press. 164 |
Textual Features | Sylvia Townsend Warner | |
Textual Features | Jane Porter | Her first piece of this kind, for Friendship's Offering, 1826, was titled A Tale of Ispahan and designed to supplement an engraving of that town from a sketch by her brother Sir Robert Ker Porter |
Textual Features | Toni Morrison | TM
handles her narrative with her usual skill, informing her scenes and her people with life through telling detail. The story opens in the voice of Florens, who can remember being with her mother as... |
Textual Features | Charlotte Mary Brame | After these revelations the earl dies, leaving Laurie the bulk of his estate. Treated cruelly by her newly-discovered aunt and cousins because her appearance has dispossessed them of expected inheritance, Laurie finds some comfort in... |
Textual Features | Catherine Sinclair | This novel focuses on Beatrice, an orphan of mysterious origin who ends up after a shipwreck in the imaginary Scottish village of Clanmarina. She is taken in by Sir Evan McAlpine, and Lady Edith, his... |
Textual Features | Georgiana Fullerton | In Mrs. Gerald's Niece Margaret, the heroine of Grantley Manor, is now Mrs Walter Sydney and is thirty-seven. The new novel engages with the Oxford Movement
, detailing the doctrinal progression of Ita and... |
Textual Features | Anna Kingsford | AK
's interpretation casts the story in religious terms, depicting the warring tribes of Gepidæ and Langobards as enemies because of their differing beliefs. While the Langobards are Christians (though AK is careful to note... |
Textual Features | John Betjeman | Critic Ian Sansom
notes the preference this poetry evinces for familiarity and tradition. He singles out for mention the opening poem, Death in Leamington (about the bleakness of a woman's death in lonely, genteel poverty),... |
Textual Features | Georgiana Fullerton | GF
is still struggling here with the relative merits of fiction and biography. Her preface puts forward the idea that when a biography is able to present its readers with a reflection of their own... |
Textual Features | Charlotte Elizabeth Tonna | The protagonist of The Deserter is a young Irish soldier in the British army. When he deserts (having got into bad company) he is arrested and re-possessed by the army. Serving in India, he... |
Textual Features | Charlotte Lennox | A spirited female narrator (who resembles CL
herself in much though not all of her experience) tells the story of her past life to a dear friend. Harriot is an intellectual heroine, a keen reader... |
Textual Features | Charlotte Elizabeth Tonna | Yet often the political critique runs counter to the novel's religous concerns. Indeed, even as it attacks the outrageous conditions of the industrial poor, the novel seems to welcome the moral scourge they provide, as... |
Textual Features | Elizabeth B. Lester | There follows a series of six stories under the general title A Sketch from the Parlour of my Inn, three of which open with quotations from William Wordsworth
. The final story in this... |
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