Aston, Elaine. “Pam Gems: Body Politics and Biography”. The Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, pp. 157-73.
169, 172
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Performance of text | Bryony Lavery | Faber reprinted the BL
play in a slim volume on its own in 2001. Both this and a companion piece, Red Sky (in which modern archaeologists encounter the fragile and beautiful traces of the past)... |
Textual Production | Bryony Lavery | It was four years before Trevor Nunn
, director of the National Theatre
, managed to arrange a move from Birmingham to the Cottesloe Theatre in London for this play, with its original cast. |
Textual Production | Bryony Lavery | After her American success of Frozen, BL
planned an adaptation of Dracula to premiere at Princeton University
in June 2004, and Discontented Winter: House Remix as a youth play for the National Theatre
in... |
Performance of text | Jackie Kay | JK
's short play Take Away, a story (reminiscent of that of the Pied Piper) about a town desperately seeking to get rid of its onions, was performed at the National Theatre
on 29... |
Textual Production | Pam Gems | PG
's play Stanley, in which Antony Sher
starred as the painter Stanley Spencer
, opened at the National Theatre Cottesloe
. It was published the same year. Aston, Elaine. “Pam Gems: Body Politics and Biography”. The Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, pp. 157-73. 169, 172 Goodman, Lizbeth, and Jane De Gay. Feminist Stages: Interviews with Women in Contemporary British Theatre. Harwood Academic Publishers. 25 “The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive. 65483 (23 January 1996): 39 |
Literary responses | Pam Gems | This play brought PG
's work to the attention of critics and playgoers alike. While reviews were generally quite positive, some had difficulty accepting the play's feminist perspective. For instance, Ted Whitehead
in The Spectator... |
Performance of text | Pam Gems | PG
adapted and translated several Chekhov plays over the following decades. In 1984 her version of The Cherry Orchard opened at the Haymarket Theatre
in Leicester, and in 2007 it was directed by Jonathan Miller |
Textual Features | Bernardine Evaristo | Among others she includes a Newcastle orphan in 1905 and a feminist squatter in 1980. The dedication reads: For the sisters & the sistas & the sistahs & the sistren / & the women &... |
Textual Production | Carol Ann Duffy | In late 2016, after Britain had narrowly voted in favour of Brexit, CAD
blended words of her own with those spoken by people nationwide, aged 9 to 97, across the United Kingdom, in interviews with... |
Reception | Shelagh Delaney | SD
won several awards for the play. In England, she received the Charles Henry Foyle New Play Award in 1958 and an Arts Council Bursary Award in 1959. She also received the New York Drama... |
Performance of text | Sarah Daniels | The plays, written for young actors, had all been workshopped at a residential weekend for members of various theatre companies somewhere in the Midlands (the workshop on Taking Breath being led by director Gemma Bodinetz |
Performance of text | Sarah Daniels | In summer 2005 SD
contributed another play to a National Theatre
Connections season for young people: Dust, which takes up the topic of bullying. Aston, Elaine, and Geraldine Harris. Performance Practice and Process: Contemporary (Women) Practitioners. Palgrave Macmillan. 84 |
Performance of text | Sarah Daniels | The National Theatre
produced SD
's feminist play Neaptide on its Cottesloe stage. Printed the same year, the play is about lesbians living with prejudice and concealment. Griffin, Gabriele. “Violence, Abuse, and Gender Relations in the Plays of Sarah Daniels”. The Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, pp. 194-11. 207 Whitaker’s Books in Print. J. Whitaker and Sons. (1988) Daniels, Sarah. Plays: One. Methuen. 234 Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
Reception | Sarah Daniels | Masterpieces brought SD
two awards for most promising playwright: one from Drama and another from Plays and Players: the London Theatre Critics Award, which she shared. Audiences at the National Theatre
later voted this... |
Reception | Sarah Daniels | This was the first play by a living woman ever to be given at the National Theatre
. Yousaf, Nahem et al., editors. “Introduction”. Critical Perspectives on Pat Barker, University of South Carolina Press, p. vii - xxiii. xv Remnant, Mary, editor. “Introduction”. Plays by Women: Volume 6, Methuen, pp. 7-12. 9 |
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